The Principles of AestheticsParker, De Witt H. (De Witt Henry)
Philosophy
The Principles of Aesthetics
Parker, De Witt H. (De Witt Henry)
Aesthetics
Since the appeal of poetry is to the sympathy and thoughtfulness which
all men possess, there is no need that it be directed, as ordinary
speech is, to particular men and women whose help or advantage is
sought. The poet addresses himself to man in general, and only so to
you and me. Even when ostensibly directed to some particular person,
a poem has an audience which is really universal. Except in the first
moment of creative fervor, the friend invoked is never intended to be
the sole recipient of the poet's words. Oftentimes the poet appeals
to the dead or to natural objects which cannot hear him. One might
perhaps infer from this that there is no genuine impulse to
communication in poetry; that it is pure expression, a dialogue with
self. But this would be a false inference; for there is always some
hint in every poem that a vague background of possible auditors is
bespoken. No matter how intimate and spontaneous, no poem can escape
being social, and hence, in varying degrees, self-conscious. Art is
autonomous expression meant to be contagious.
The appeal of scientific expression is also to something universal in
men--to their love of knowledge and understanding. But there is this
difference between poetry and science: science seeks merely the
intellectual mastery of things and ideas, and so is careless of their
values; while poetry, even when descriptive or thoughtful, ever has
_life_ as its theme--the way man reacts to his environment and his
thought. Poetry is never purely descriptive or dialectical. And this
difference in the substance of the expression determines a difference
in the direction of interest within the expression. In scientific
expression, words lead us away to things--pure description, or to their
meanings--mathematics and dialectic; but in poetry, since the values
which we attach to things and ideas come from within out of ourselves
and are embodied in the words, they keep us to themselves; we dwell
in the expression itself, in the verbal experience--its total content
of sounds which we hear, ideas which we understand, and feelings which
we appreciate, is of worth to us.
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