The Principles of AestheticsParker, De Witt H. (De Witt Henry)
Philosophy
The Principles of Aesthetics
Parker, De Witt H. (De Witt Henry)
Aesthetics
Our interest in the fictional world of the writer is, moreover,
essentially the same as our interest in the real world. Its persons
arouse in us the same emotions of admiration, love, or dislike. They
satisfy the same need for social stimulation, the same curiosity about
life. Just as we have certain instincts and habits of movement that
make us restless when they are not satisfied, and afford us a wild joy
in walking and running when we are released from confinement, so we
have certain instincts and habits of feeling towards persons which
demand objects and produce joy when companions are found. An unsatisfied
or superabundant sociability lies back of our love of fiction. We read
because we are lonely or because our fellow men have become trite and
fail to stimulate us sufficiently. If our fellows were not so reticent,
if they would talk to us and tell us their stories with the freedom
and the brightness of a Stevenson, or if their lives were so fresh and
vivid that we never found them dull, perhaps we should not read at
all. But, as it is, we can satisfy our craving for knowledge of life
only by extending our social world through fiction. Fiction may teach
us, edify us, make us better men--it may serve all these purposes
incidentally, but its prime purpose as art is to provide us with new
objects for social feeling and knowledge.
The interest which we take in fictitious action is also like that which
we take in real action. The same emotions of desire for the attainment
of a goal, suspense, hope, fear, excitement, curiosity and its
satisfaction, joy, despair, are aroused. And we have a need to
experience these emotions at high pitch greater than our everyday lives
can satisfy. Our lives are seldom adventurous all over; there are
monotonous interludes with no melody, offering us little that is new
to learn. Our love for war and sport shows that we were not built
organically for humdrum. Now literature helps to make up for this
deficiency in real life by providing us with adventures in which we
can participate imaginatively, and from which we can derive new
knowledge. If real life did supply us with all the intense living that
we demand, we might not care to read, although the love of adventure
grows by feeding, and many an active man revels in tales which simulate
his own exploits.
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