The Principles of AestheticsParker, De Witt H. (De Witt Henry)
Philosophy
The Principles of Aesthetics
Parker, De Witt H. (De Witt Henry)
Aesthetics
To the artist who is living the evil life which he expresses, there
can be even less danger in expression, than to the spectator. For the
expression is not the cause of his life, but only its efflorescence.
The roots of evil lie deep below in the subsoil of instinct. Without
expression, life would be much the same, only secret instead of
articulate. The puritan shows a shocking naivete in thinking that he
can reform life by destroying its utterance. Moreover, to express life
implies a certain mastery over it, a power of detachment and reflection,
which are fundamentally ethical and may lead to a new way of living.
Every form of life has an inalienable right to expression. In order
to be judged fairly, it must be allowed to plead for itself, and art
is its best spokesman. And that we should know life sympathetically
is of practical importance; for otherwise we shall not know how to
change it or indeed that it ought to be changed at all. Only by knowing
other ways of life can we be certain of the relative worth of our own
way; knowledge alone gives certitude. Without knowledge we run the
risk of becoming ruthless destroyers of things which an intelligent
sympathy might well preserve and find a place for in the world.
To all these considerations the puritan will doubtless oppose a truth
impossible to deny. Experience, he will say, is one, not many;
imagination and action are not separated by an impassable wall; things
merely imagined or dreamed, even when they do not directly issue in
action, may nevertheless influence conduct through a slow and subtle
transforming effect upon the sentiments and valuations which make up
its background. Character can be maintained only by a vigilant and
steady control over impulses which are always threatening rebellion;
purity of mind only through the rigid exclusion of the sensual,
luxurious, and ignoble; imaginative sympathy with evil, even when
sublimated in art, must necessarily undermine the one and becloud the
other. "If thine eye offend thee, cut it out and cast it from thee."
Public-domain text, read in full here on John Shaqi.
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