The contemplative spirit of art is perhaps more important than the constructive in its application to life. Not that any sharp line can be drawn between them, for contemplation must always attend or follow creation, to judge and enjoy; yet towards that part of life which we cannot control, our attitude must be rather that of the spectator than the creator. We cannot interfere with the greater part of life; we can, however, observe it and, in the imagination, transform it, where we can then envisage it as we should a work of art. As we watch it, life itself may become beautiful, and instead of giving ourselves to it half-heartedly and with reserve, we shall accept it with something of the abandon of passionate love,--"In thee my soul hath her content so absolute." To this end it is necessary to detach life from our more selfish interests and ambitions, from the habits of thought, annoying and preoccupying, that relate to self alone. To the worldly and self- centered, life is interesting only so far as it refers to pride or ambition or passion; otherwise it is indifferent, as none of their concern. But to the religious and to the aesthetically minded, there is no part of life that may not be of interest; to the former, because they impute something of transcendent perfection to it all; to the latter, because they have set themselves the inexhaustible task of its free, imaginative appreciation. To this end, it is also necessary, after learning to view life objectively and impersonally, to attend to it leisurely and responsively, as we should to a work of art, allowing full scope to the disinterested feelings of curiosity, pity, sympathy, and wonder to create emotional participation.