The peculiar formation, frequently observable, of the old communion-tables, seems to have originated from the diversity of opinion held by many in the Anglican church, as to whether or not there was in the sacrament of the Lord’s Supper a memorative sacrifice; for by those who held the negative they were so constructed, not merely that they might be moved from one part of the church to another, but the slab, board, or table, properly so called, was purposely not fastened or fixed to the frame-work or stand on which it was supported, but left loose, so as to be set on or taken off; and in 1555, on the accession of Queen Mary, when the stone altars were restored and the communion-tables taken down, we find it recorded of one John Austen, at Adesham Church, Kent, that “he with other tooke up the table, and laid it on a chest in the chancel, and set the tressels by it[218-*].” It appears that texts of scripture were painted on the walls of some churches in the reign of Edward the Sixth; for Bonner, bishop of London, by a mandate issued to his diocese in 1554, after noticing that some had procured certain scriptures wrongly applied to be painted on church walls, charged that such scriptures should be razed, abolished, and extinguished, so that in no means they could be either read or heard. In the articles set forth by Cardinal Pole in 1557, to be inquired of in his diocese of Canterbury, were the following: “Whether the churches be sufficiently garnished and adorned with all ornaments and books necessary; and whether they have a rood in their church of a decent stature, with Mary and John, and an image of the patron of the same church?” Also, “Whether the altars of the church be consecrated or no?”