The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed.Bloxam, Matthew Holbeche
History
The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed.
Bloxam, Matthew Holbeche
Architecture, Gothic -- England; Church architecture -- England
At Brill Church, in Buckinghamshire, the communion table, on an elevation
of one step, is inclosed with rails, within an area of eight feet by six
feet and a half, and a bench is fixed to the wall on each side; an
innovation made at this period, in order that the communicants might
receive the sacrament sitting. The communion table in Wooten Wawen Church,
Warwickshire, though perfectly plain in construction, is unusually long
and large, and appears to have been set up by the Puritans at this period,
so that they might sit round or at it.
To the removal of the communion table from the east end of the chancel may
be attributed the usage which, in the middle of the seventeenth century,
began to prevail of constructing close and high seats or pews, without
regard to that uniformity of arrangement which had hitherto been
observed; and many seats were now so constructed that those who occupied
them necessarily turned their backs on the east during the ministration of
prayer and public service. The erection of unseemly galleries, which have
greatly tended to disfigure our churches, was another consequence of the
innovation on the ancient arrangement of pewing.
After the Restoration the communion tables were again restored to their
former position at the east end of the chancel; and in Evelyn’s Diary for
1661-2, we find the change of position in his parish church thus noticed:
“6 April. Being of the vestry in the afternoone, we order’d that the
communion table should be set as usual altarwise, with a decent raile in
front, as before the rebellion.”
The altar rails were now generally restored, and in most instances we find
those in our churches to be of a period subsequent to the Restoration, as
the details in the workmanship evince. In the church accounts of St.
Mary’s, Shrewsbury, for 1662, we find a “memorandum that this year the
rayles about the communion table wer new sett up, and the surplice was
made.” In Wormleighton Church, Warwickshire, the altar rails have on them
the date of 1664; and the communion table, which is quite plain, is of
the same character and era.
But a return, after the Restoration, to the former usages of the Anglican
church was not made without great opposition; and accordingly we find
objections stated to the bowing to the altar and to the east, to the
preaching by book, to the railing in of the altar, to the candles,
cushion, and book thereon, to the bowing at the name of Jesus, and to the
organs as “popish-like music, and too much superstition[250-*].”
Public-domain text, read in full here on John Shaqi.
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