The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed.Bloxam, Matthew Holbeche
History
The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed.
Bloxam, Matthew Holbeche
Architecture, Gothic -- England; Church architecture -- England
[158-*] It is much to be regretted that of late years many ancient fonts
have been cast out of our churches, and earthenware and pewter basins
substituted in their stead for the administration of the holy sacrament
of baptism: a practice not authorized by the Anglican church, but rather
condemned; for in the canons set forth by authority, A. D. 1571, it is
provided that “Curabunt (Œditui) ut in singulis ecclesiis sit sacer
fons, _non pelvis_, in quo baptismus ministretur, isque ut decenter et
munde conservetur.” And in the canons of 1603, after alluding to the
foregoing constitution, and observing that it was too much neglected in
many places, it is appointed “That there shall be a font of stone in
every church and chapel where baptism is to be ministered; the same to
be set in the _ancient usual places_.” In the orders and directions
given by Bishop Wren, A. D. 1636, to be observed in his diocese of
Norwich, we find it enjoined, “That the font at baptism be filled with
clear water, and no dishes, pails, or basins be used in it or instead of
it.”
[160-*] The 28th decree of a foreign council, that of Wirtzburgh, held
A. D. 1278, prohibits the fortifying of churches in order to make use of
them as castles.
[164-*] Anglice sermocinari solebat (Abbas Samson) populo, sed secundum
Linguam Norfolchie ... unde et pulpitum jussit fieri in ecclesia et ad
utilitatem audiencium et ad decorem ecclesie.--Cronica Jocelini de
Brakelonda, sub anno 1187.
[167-*] Cottonian MS. Titus D. xxvii. 10th sæc.
[167-†] “Crux que erat super magnum altare, et Mariola, et Johannes,
quas imagines Stigandus archiepiscopus magno pondere auri et argenti
ornaverat, et sancto Ædmundo dederat.”--Cronica Jocelini de Brakelonda,
p. 4.
[168-*] “Supra pulpitum trabes erat, per tranversum ecclesiæ posita, quæ
crucem grandem et duo cherubin et imagines Sanctæ _Mariæ_ et Sancti
_Johannis_ apostoli sustentabat.”--Gervasius de Combustione, &c.
[169-*] “Superest exponere, quod manus illa e nubibus erumpens indicet:
Quæ procul dubio omnipotentis Dei dexteram designat.”--Ciampini Vetera
Monimenta, vol. ii. pp. 22, 81.
[171-*] “In elevatione atque utriusque squilla pulsatur.”--Durandi
Rationale, lib. iv.
[171-†] In Yeovil Church Accounts, A. D. 1457, is an item, “_In una
cordul empt p le salsyngbelle ijd_.”--Collectanea Topographica, vol.
iii. p. 130.
[172-*] It is now in the possession of William Staunton, esq., of
Longbridge House, near Warwick.
[173-*] Durandus, in his description of a church, makes no mention of
screen-work, but observes, “Notandum est quod triplex genus _veli_
suspenditur in ecclesia videlicet quod sacra operit, quod sanctuarium a
clero dividit, _et quod clerum a populo secernit_;” evidently alluding
in the latter to the curtain extended across the chancel arch.
[174-*] “Item tunc stent in sedibus suis versa facie ad altare donec ad
_misericordias_ vel super _formulas_ prout tempus postulat
inclinent.”--Monasticon, 1st ed. vol. i. p. 951.
Public-domain text, read in full here on John Shaqi.
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