I say 'tend to appear' rather than 'appear,' on account of those facts of sub-conscious personality, automatic writing, etc., of which we studied a few in the last chapter. The buried feelings and thoughts proved now to exist in hysterical anæsthetics, in recipients of post-hypnotic suggestion, etc., themselves are parts of _secondary personal selves_. These selves are for the most part very stupid and contracted, and are cut off at ordinary times from communication with the regular and normal self of the individual; but still they form conscious unities, have continuous memories, speak, write, invent distinct names for themselves, or adopt names that are suggested; and, in short, are entirely worthy of that title of secondary personalities which is now commonly given them. According to M. Janet these secondary personalities are always abnormal, and result from the splitting of what ought to be a single complete self into two parts, of which one lurks in the background whilst the other appears on the surface as the only self the man or woman has. For our present purpose it is unimportant whether this account of the origin of secondary selves is applicable to all possible cases of them or not, for it certainly is true of a large number of them. Now although the _size_ of a secondary self thus formed will depend on the number of thoughts that are thus split-off from the main consciousness, the _form_ of it tends to personality, and the later thoughts pertaining to it remember the earlier ones and adopt them as their own. M. Janet caught the actual moment of inspissation (so to speak) of one of these secondary personalities in his anæsthetic somnambulist Lucie. He found that when this young woman's attention was absorbed in conversation with a third party, her anæsthetic hand would write simple answers to questions whispered to her by himself. "Do you hear?" he asked. "_No,_" was the unconsciously written reply. "But to answer you must hear." "_Yes, quite so._" "Then how do you manage?" "_I don't know._" "There must be some one who hears me." "_Yes._" "Who?" "_Someone other than Lucie._" "Ah! another person. Shall we give her a name?" "_No._" "Yes, it will be more convenient." "_Well, Adrienne, then._" "Once baptized, the subconscious personage," M. Janet continues, "grows more definitely outlined and displays better her psychological characters. In particular she shows us that she is conscious of the feelings excluded from the consciousness of the primary or normal personage. She it is who tells us that I am pinching the arm or touching the little finger in which Lucie for so long has had no tactile sensations."[217]