This latter author seems to me to have kept at much closer quarters with the facts than any other analyst of consciousness.[252] But even he does not quite hit the mark, for, as I understand him, he thinks that each word as it occupies the mind _displaces_ the rest of the thought's content. He distinguishes the 'idea' (what I have called the total _object_ or meaning) from the consciousness of the words, calling the former a very feeble state, and contrasting it with the liveliness of the words, even when these are only silently rehearsed. "The feeling," he says, "of the words makes ten or twenty times more noise in our consciousness than the sense of the phrase, which for consciousness is a very slight matter."[253] And having distinguished these two things, he goes on to separate them in time, saying that the idea may either precede or follow the words, but that it is a 'pure illusion' to suppose them simultaneous.[254] Now I believe that in all cases where the words are _understood_, the total idea may be and usually is present not only before and after the phrase has been spoken, but also whilst each separate word is uttered.[255] It is the overtone, halo, or fringe of the word, _as spoken in that sentence_. It is never absent; no word in an understood sentence comes to consciousness as a mere noise. We feel its meaning as it passes; and although our object differs from one moment to another as to its verbal kernel or nucleus, yet it is _similar_ throughout the entire segment of the stream. The same object is known everywhere, now from the point of view, if we may so call it, of this word, now from the point of view of that. And in our feeling of each word there chimes an echo or foretaste of every other. The consciousness of the 'Idea' and that of the words are thus consubstantial. They are made of the same 'mind-stuff,' and form an unbroken stream. Annihilate a mind at any instant, cut its thought through whilst yet uncompleted, and examine the object present to the cross-section thus suddenly made; you will find, not the bald word in process of utterance, but that word suffused with the whole idea. The word may be so loud, as M. Egger would say, that we cannot _tell_ just how its suffusion, as such, feels, or how it differs from the suffusion of the next word. But it does differ; and we maybe sure that, could we see into the brain, we should find the same processes active through the entire sentence in different degrees, each one in turn becoming maximally excited and then yielding the momentary verbal 'kernel,' to the thought's content, at other times being only sub-excited, and then combining with the other sub-excited processes to give the overtone or fringe.[256] [Illustration: FIG. 30.] [Illustration: FIG. 31.] [Illustration: FIG. 32.]