[232] Mozart describes thus his manner of composing: First bits and crumbs of the piece come and gradually join together in his mind; then the soul getting warmed to the work, the thing grows more and more, "and I spread it out broader and clearer, and at last it gets almost finished in my head, even when it is a long piece, so that I can see the whole of it at a single glance in my mind, as if it were a beautiful painting or a handsome human being; in which way I do not hear it in my imagination at all as a succession--the way it must come later--but all at once, as it were. If is a rare feast! All the inventing and making goes on in me as in a beautiful strong dream. But the best of all is the _hearing of it all at once_." [233] Mental Physiology, § 236. Dr. Carpenter's explanation differs materially from that given in the text. [234] Cf. also S. Stricker: Vorlesungen über allg. u. exp. Pathologie (1879), pp. 462-3, 501, 547; Romanes: Origin of Human Faculty, p. 82. It is so hard to make one's self clear that I may advert to a misunderstanding of my views by the late Prof. Thos. Maguire of Dublin (Lectures on Philosophy, 1885). This author considers that by the 'fringe' I mean some sort of psychic material by which sensations in themselves separate are made to cohere together, and wittily says that I ought to "see that uniting sensations by their 'fringes' is more vague than to construct the universe out of oysters by platting their beards" (p. 211). But the fringe, as I use the word, means nothing like this; it is part of the _object cognized_,--substantive _qualities_ and _things_ appearing to the mind in a _fringe of relations_. Some parts--the transitive parts--of our stream of thought cognize the relations rather than the things; but both the transitive and the substantive parts form one continuous stream, with no discrete 'sensations' in it such as Prof. Maguire supposes, and supposes me to suppose, to be there. [235] George Campbell: Philosophy of Rhetoric, book ii, chap. vii. [236] Substantialism or Philosophy of Knowledge, by 'Jean Story' (1879). [237] M. G. Tarde, quoting (in Delbœuf, Le Sommeil et les Rêves (1885), p. 226) some nonsense-verses from a dream, says they show "how prosodic forms may subsist in a mind from which logical rules are effaced.... I was able, in dreaming, to preserve the faculty of finding two words which rhymed, to appreciate the rhyme, to fill up the verse as it first presented itself with other words which, added, gave the right number of syllables, and yet I was ignorant of the sense of the words.... Thus we have the extraordinary fact that the words called each other up, without calling up their sense.... Even when awake, it is more difficult to ascend to the meaning of a word than to pass from one word to another; or to put it otherwise, _it is harder to be a thinker than to be a rhetorician_, and on the whole nothing is commoner than trains of words not understood."