The Principles of Psychology, Volume 2 (of 2)James, William
Science
The Principles of Psychology, Volume 2 (of 2)
James, William
Psychology
"If the revolution is in the direction in which the spiral line
approaches the centre of the disk the entire surface of the latter
seems to expand during revolution and to contract after it has ceased;
and _vice versâ_ if the movement of revolution is in the opposite
direction. If in the former case the eyes of the observers are turned
from the rotating disk towards any familiar object--e.g. the face of a
friend--the latter seems to contract or recede in a somewhat striking
manner, and to expand or approach after the opposite motion of the
spiral."[234]
[Illustration: FIG. 66.]
An elementary form of these motor illusions seems to be the one
described by Helmholtz on pp. 568-571 of his Optik. The motion of
anything in the field of vision along an acute angle towards a straight
line sensibly distorts that line. Thus in Fig. 66: Let AB be a line
drawn on paper, CDE the tracing made over this line by the point of a
compass steadily followed by the eye, as it moves. As the compass-point
passes from C to D, the line appears to move downwards; as it passes
from D to E, the line appears to move upwards; at the same time the
whole line seems to incline itself in the direction FG during the first
half of the compass's movement; and in the direction HI during its last
half; the change from one inclination to another being quite distinct
as the compass-point passes over D.
Any line across which we draw a pencil-point appears to be animated by
a rapid movement of its own towards the pencil-point. This apparent
movement of both of two things in relative motion to each other, even
when one of them is absolutely still, reminds us of the instances
quoted from Vierordt on page 188, and seems to take us back to a
primitive stage of perception, in which the discriminations we now
make when we feel a movement have not yet been made. If we draw the
point of a pencil through 'Zöllner's pattern' (Fig. 60, p. 232), and
follow it with the eye, the whole figure becomes the scene of the most
singular apparent unrest, of which Helmholtz has very carefully noted
the conditions. The illusion of Zöllner's figure vanishes entirely,
or almost so, with most people, if they steadily look at one point
of it with an unmoving eye; and the same is the case with many other
illusions.
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