The Principles of Psychology, Volume 2 (of 2)James, William
Science
The Principles of Psychology, Volume 2 (of 2)
James, William
Psychology
Every time he returns to A., from which place business often calls
him, he seems to himself as if entering a strange city. He views the
monuments, houses, and streets with the same surprise as if he saw
them for the first time. Gradually, however, his memory returns, and
he finds himself at home again. When asked to describe the principal
public place of the town, he answered, "I know that it is there, but
it is impossible to imagine it, and I can tell you nothing about it."
He has often drawn the port of A. To-day he vainly tries to trace its
principal outlines. Asked to draw a minaret, he reflects, says it is a
square tower, and draws, rudely, four lines, one for ground, one for
top, and two for sides. Asked to draw an arcade, he says, "I remember
that it contains semi-circular arches, and that two of them meeting
at an angle make a vault, but how it _looks_ I am absolutely unable
to imagine." The profile of a man which he drew by request was as if
drawn by a little child; and yet he confessed that he had been helped
to draw it by looking at the bystanders. Similarly he drew a shapeless
scribble for a tree.
He can no more remember his wife's and children's faces than he can
remember the port of A. Even after being with them some time they seem
unusual to him. He forgets his own face, and once spoke to his image
in a mirror, taking it for a stranger. He complains of his loss of
feeling for colors. "My wife has black hair, this I know; but I can no
more recall its color than I can her person and features." This visual
amnesia extends to dating objects from his childhood's years--paternal
mansion, etc., forgotten.
No other disturbances but this loss of visual images. Now when he
seeks something in his correspondence, he must rummage among the
letters like other men, until he meets the passage. He can recall
only the first few verses of the Iliad, and must _grope_ to read
Homer, Virgil, and Horace. Figures which he adds he must now whisper
to himself. He realises clearly that he must help his memory out with
auditory images, which he does with effort. _The words and expressions
which he recalls seem now to echo in his ear, an altogether novel
sensation for him._ If he wishes to learn by heart anything, a series
of phrases for example, he must _read them several times aloud_, so as
to impress his ear. When later he repeats the thing in question, the
sensation of inward hearing which precedes articulation rises up in
his mind. This feeling was formerly unknown to him. He speaks French
fluently; but affirms that he can no longer think in French; but must
get his French words by translating them from Spanish or German, the
languages of his childhood. He dreams no more in visual terms, but
only in words, usually Spanish words. A certain degree of verbal
blindness affects him--he is troubled by the Greek alphabet, etc.[60]
Public-domain text, read in full here on John Shaqi.
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