The booksellers, on the contrary, had become great personages. In the preceding chapter we have seen Cramoisy and Vitré, to name only them, acquire the greatest honours, the latter painted by Philip de Champagne, with many others lords of the court. In the eighteenth century there were Brunet, Ballard, Mariette, Chardon, Didot, and a host of others, during the time of Watteau, Boucher, and Cars, of which we shall shortly speak; and these several publishers had houses of their own, and furnished shops and printing offices with the best apparatus. Saved from falling into negligences by royal regulations on printing, they composed with admirable characters, on paper of the first order, imperishable works; and, usual consequence of their high situation, they paid the artists badly charged with their work. It would be long and tedious to enter into this matter in detail. They made progress by slow degrees, and in good time they marvellously united copper plate engraving to printed text, so marvellously, that in comparing their works to the wood blocks of the sixteenth century, it may be asked which of the two styles is superior in elegance and good taste. [Illustration: Fig. 81.--Vignette for _Daphnis et Chloe_ by Cochin, for Coustelier's edition.] One of the ancestors of this group of vignettists was the younger Cochin, who had engraved the plate of the monks in the fables of Houdart, illustrated by Gillot. Cochin, in spite of his passion for allegory and his very marked taste for affectation, gave, it may be said, with the designer-engraver St. Aubin, an enormous impulse to the art of adorning books. From the beginning of his career he worked for the publishers, composing frontispieces, ornamented letters, and tailpieces, or transferring to copper the drawings of others. Singular type of artist, besides, educated, well brought up, epicurean and spendthrift, friend of great lords, and protected by Madame de Pompadour. When he travelled in Italy with her young brother Abel Poisson, Cochin did everything, was ready at the least request, inventing curious menus, giving representations of fêtes, and yet finding the time to decorate books and design vignettes profusely.