And the pitiful part of it all was that though Addington used
the alphabet and spoke the language of "social unrest", it did it merely
with the relish of playing with a new thing. It didn't make a jot of
difference in its daily living. It didn't exert itself over its local
government, it didn't see the Weedon Moores were honeycombing the soil
with sedition. It talked, and talked, and knew the earth would last its
time.
When Jeffrey tore up the life of his fellow prisoner he did it as if he
tore his own past with it. He sat down to write his new book which was,
in a way, an autobiography. He had read the enduring ones. He used to
think they were crudely honest, and he meant now to tell the truth as
brutally as the older men: how, in his seething youth, when he scarcely
knew the face of evil in his arrogant confidence that he was strong
enough to ride it bareback without falling off, if it would bring him to
his ends, he leaped into the money game. And at that point, he owned
ingenuously, he would have to be briefly insincere. He could unroll his
own past, but not Esther's. The minute the stage needed her he realised
he could never summon her. He might betray himself, not her. It was she,
the voice incarnate of greed and sensuous delight, that had whipped him
along his breathless course, and now he had to conceal her behind a
wilful lie and say they were his own delights that lured him.
He sat there in his room writing on fiery nights when the moths crowded
outside the screen and small sounds urged the freedom and soft
beguilement of the season, even in the bounds of streets. The colonel,
downstairs, sat in a determined patience over Mary Nellen's linguistic
knots, what time he was awake long enough to tackle them, and wished
Jeff would bring down his work where he could be glanced at occasionally
even if he were not to be spoken to. The colonel had thought he wanted
nothing but to efface himself for his son, and yet the yearning of life
within him made him desire to live a little longer even by sapping that
young energy. Only Lydia knew what Jeff was doing, and she gloried in
it. He was writing a book, mysterious work to her who could only compass
notes of social import, and even then had some ado to spell. But she
read his progress by the light in his eyes, his free bearing and his
broken silence. For now Jeff talked. He talked a great deal. He chaffed
his father and even Anne, and left Lydia out, to her own pain. Why
should he have kissed her that long ago day if he didn't love her, and
why shouldn't he have kept on loving her? Lydia was asking herself the
oldest question in the woman's book of life, and nobody had told her
that nature only had the answer. "If you didn't mean it why did you do
it?" This was the question Lydia heard no answer to.
Public-domain text, read in full here on John Shaqi.
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