The Private Life of the RomansJohnston, Harold Whetstone
History
The Private Life of the Romans
Johnston, Harold Whetstone
Rome -- Social life and customs
§431. After the completion of the building the _cūrātōrēs_ allotted
the niches to the individual members. The niches were either numbered
consecutively throughout or their position was fixed by the number of
the _ōrdō_ and _gradus_ (§428) in which they were situated. Because
they were not all equally desirable, as has been explained, the
curators divided them into sections as fairly as possible and then
assigned the sections (_locī_) by lot to the shareholders. If a man
held several shares of stock he received a corresponding number of
_locī_, though they might be in widely different parts of the
building. The members were allowed freely to dispose of their holdings
by exchange, sale, or gift, and many of the larger stockholders
probably engaged in the enterprise for the sake of the profits to be
made in this way. After the division was made the owners had their
names cut upon the _titulī_, and might put up the columns to mark the
_aediculae_, set up statues, etc., if they pleased. Some of the
_titulī_ give besides the name of the owner the number and position of
his _locī_ or _ollae_. Sometimes they record the purchase of _ollae_,
giving the number bought and the name of the previous owner. Sometimes
the names on the _ollae_ do not correspond with that over the niche,
showing that the owner had sold a part only of his holdings, or that
the purchaser had not taken the trouble to replace the _titulus_. The
expenses of maintenance were probably paid from the weekly dues of the
members, as were the funeral benefits.
L • ABVCIVS • HERMES • IN • HOC
ORDINE • AB • IMO • AD • SVMMVM
COLVMBARIA • IX • OLLAE • XVIII
SIBI • POSTERISQVE • SVIS[2]
[Footnote 2: Titulus in Columbarium: "Lucius Abucius Hermes (has
acquired) in this row, running from the ground to the top, nine niches
with eighteen urns for (the ashes of) himself and his descendants."]
Public-domain text, read in full here on John Shaqi.
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