Mary wondered afterwards what profit she could hope to derive from such proceedings; they struck her own sense, naturally, as disreputable and desperate. She was equally unable to discover the compensation they offered, in another variety, to poor Maud Ashbury, whom Lord Beaupré, the greater part of the day, neglected as conscientiously as he neglected his cousin. She asked herself if he should be blamed, and replied that the others should be blamed first. He got rid of Charlotte somehow after tea; she had to fall back to her mysterious lines. Mary knew this method would have been detestable to him--he hated to force his friendly nature; she was sorry for him and wished to lose sight of him. She wished not to be mixed up even indirectly with his tribulations, and the fevered faces of the Ashburys were particularly dreadful to her. She spent as much of the long summer afternoon as possible out of the house, which indeed on such an occasion emptied itself of most of its inmates. Mary Gosselin asked her brother to join her in a devious ramble; she might have had other society, but she was in a mood to prefer his. These two were "great chums," and they had been separated so long that they had arrears of talk to make up. They had been at Bosco more than once, and though Hugh Gosselin said that the land of the free (which he had assured his sister was even more enslaved than dear old England) made one forget there were such spots on earth, they both remembered, a couple of miles away, a little ancient church to which the walk across the fields would be the right thing. They talked of other things as they went, and among them they talked of Mr. Bolton-Brown, in regard to whom Hugh, as scantily addicted to enthusiasm as to bursts of song (he was determined not to be taken in), became, in commendation, almost lyrical. Mary asked what he had done with his paragon, and he replied that he believed him to have gone out stealthily to sketch: they might come across him. He was extraordinarily clever at water-colours, but haunted with the fear that the public practice of such an art on Sunday was viewed with disfavour in England. Mary exclaimed that this was the respectable fact, and when her brother ridiculed the idea she told him she had already noticed he had lost all sense of things at home, so that Mr. Bolton-Brown was apparently a better Englishman than he. "He is indeed--he's awfully artificial!" Hugh returned; but it must be added that in spite of this rigour their American friend, when they reached the goal of their walk, was to be perceived in an irregular attitude in the very churchyard. He was perched on an old flat tomb, with a box of colours beside him and a sketch half completed. Hugh asserted that this exercise was the only thing that Mr. Bolton-Brown really cared for, but the young man protested against the imputation in the face of an achievement so modest. He showed his sketch to Mary however, and it consoled her for