The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.James, Henry
General
The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.
James, Henry
American fiction -- 19th century; Short stories, American
"Pay as much as you like, but don't pay with your sister!" Mrs. Gosselin
replied; while Hugh submitted that it was just his sister who was
required to make the payment _his_. She turned his logic to easy scorn
and she waited on the terrace till she had seen the two explorers
reappear. When the ladies went to dress for dinner she expressed to her
daughter her extreme disapproval of such conduct, and Mary did nothing
more to justify herself than to exclaim at first "Poor dear man!" and
then to say "I was afraid you wouldn't like it." There were reservations
in her silence that made Mrs. Gosselin uneasy, and she was glad that at
dinner Mr. Bolton-Brown had to take in Mrs. Ashbury: it served him so
right. This arrangement had in Mrs. Gosselin's eyes the added merit of
serving Mrs. Ashbury right. She was more uneasy than ever when after
dinner, in the drawing-room, she saw Mary sit for a period on the same
small sofa with the culpable American. This young couple leaned back
together familiarly, and their conversation had the air of being
desultory without being in the least difficult. At last she quitted her
place and went over to them, remarking to Mr. Bolton-Brown that she
wanted him to come and talk a bit to _her_. She conducted him to another
part of the room, which was vast and animated by scattered groups, and
held him there very persuasively, quite maternally, till the approach of
the hour at which the ladies would exchange looks and murmur
good-nights. She made him talk about America, though he wanted to talk
about England, and she judged that she gave him an impression of the
kindest attention, though she was really thinking, in alternation, of
three important things. One of these was a circumstance of which she had
become conscious only just after sitting down with him--the prolonged
absence of Lord Beaupré from the drawing-room; the second was the
absence, equally marked (to her imagination) of Maud Ashbury; the third
was a matter different altogether. "England gives one such a sense of
immemorial continuity, something that drops like a plummet-line into the
past," said the young American, ingeniously exerting himself while Mrs.
Gosselin, rigidly contemporaneous, strayed into deserts of conjecture.
Had the fact that their host was out of the room any connection with the
fact that the most beautiful, even though the most suicidal, of his
satellites had quitted it? Yet if poor Guy was taking a turn by
starlight on the terrace with the misguided girl, what had he done with
his resentment at her invasion and by what inspiration of despair had
Maud achieved such a triumph? The good lady studied Mrs. Ashbury's face
across the room; she decided that triumph, accompanied perhaps with a
shade of nervousness, looked out of her insincere eyes. An intelligent
consciousness of ridicule was at any rate less present in them than
ever. While Mrs. Gosselin had her infallible finger on the pulse of the
Public-domain text, read in full here on John Shaqi.
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