Bolton-Brown did something that evening toward disseminating the news: he told it to the first people he met socially after leaving Chester Street; and this although he had to do himself a certain violence in speaking. He would have preferred to hold his peace; therefore if he resisted his inclination it was for an urgent purpose. This purpose was to prove to himself that he didn't mind. A perfect indifference could be for him the only result of any understanding Mary Gosselin might arrive at with anyone, and he wanted to be more and more conscious of his indifference. He was aware indeed that it required demonstration, and this was why he was almost feverishly active. He could mentally concede at least that he had been surprised, for he had suspected nothing at Bosco. When a fellow was attentive in America everyone knew it, and judged by this standard Lord Beaupré made no show: how otherwise should _he_ have achieved that sweet accompanied ramble? Everything at any rate was lucid now, except perhaps a certain ambiguity in Hugh Gosselin, who on coming into the drawing-room with his mother had looked flushed and grave and had stayed only long enough to kiss Mary and go out again. There had been nothing effusive in the scene; but then there was nothing effusive in any English scene. This helped to explain why Miss Gosselin had been so blank during the minutes she spent with him before her mother came back. He himself wanted to cultivate tranquillity, and he felt that he did so the next day in not going again to Chester Street. He went instead to the British Museum, where he sat quite like an elderly gentleman, with his hands crossed on the top of his stick and his eyes fixed on an Assyrian bull. When he came away, however, it was with the resolution to move briskly; so that he walked westward the whole length of Oxford Street and arrived at the Marble Arch. He stared for some minutes at this monument, as in the national collection he had stared at even less intelligible ones; then brushing away the apprehension that he should meet two persons riding together, he passed into the park. He didn't care a straw whom he met. He got upon the grass and made his way to the southern expanse, and when he reached the Row he dropped into a chair, rather tired, to watch the capering procession of riders. He watched it with a lustreless eye, for what he seemed mainly to extract from it was a vivification of his disappointment. He had had a hope that he should not be forced to leave London without inducing Mary Gosselin to ride with him; but that prospect failed, for what he had accomplished in the British Museum was the determination to go to Paris. He tried to think of the attractions supposed to be evoked by that name, and while he was so engaged he recognised that a gentleman on horseback, close to the barrier of the Row, was making a sign to him. The gentleman was Lord Beaupré, who had pulled up his horse and whose sign the young American