The Private Papers of Henry RyecroftGissing, George
General
The Private Papers of Henry Ryecroft
Gissing, George
English fiction -- 19th century
I always read the newspaper articles on exhibitions of pictures, and with
most pleasure when the pictures are landscapes. The mere names of
paintings often gladden me for a whole day--those names which bring
before the mind a bit of seashore, a riverside, a glimpse of moorland or
of woods. However feeble his criticism, the journalist generally writes
with appreciation of these subjects; his descriptions carry me away to
all sorts of places which I shall never see again with the bodily eye,
and I thank him for his unconscious magic. Much better this, after all,
than really going to London and seeing the pictures themselves. They
would not disappoint me; I love and honour even the least of English
landscape painters; but I should try to see too many at once, and fall
back into my old mood of tired grumbling at the conditions of modern
life. For a year or two I have grumbled little--all the better for me.
XXVI.
Of late, I have been wishing for music. An odd chance gratified my
desire.
I had to go into Exeter yesterday. I got there about sunset, transacted
my business, and turned to walk home again through the warm twilight. In
Southernhay, as I was passing a house of which the ground-floor windows
stood open, there sounded the notes of a piano--chords touched by a
skilful hand. I checked my step, hoping, and in a minute or two the
musician began to play that nocturne of Chopin which I love best--I don't
know how to name it. My heart leapt. There I stood in the thickening
dusk, the glorious sounds floating about me; and I trembled with very
ecstasy of enjoyment. When silence came, I waited in the hope of another
piece, but nothing followed, and so I went my way.
It is well for me that I cannot hear music when I will; assuredly I
should not have such intense pleasure as comes to me now and then by
haphazard. As I walked on, forgetting all about the distance, and
reaching home before I knew I was half way there, I felt gratitude to my
unknown benefactor--a state of mind I have often experienced in the days
long gone by. It happened at times--not in my barest days, but in those
of decent poverty--that some one in the house where I lodged played the
piano--and how it rejoiced me when this came to pass! I say "played the
piano"--a phrase that covers much. For my own part, I was very tolerant;
anything that could by the largest interpretation be called music, I
welcomed and was thankful; for even "five-finger exercises" I found, at
moments, better than nothing. For it was when I was labouring at my desk
that the notes of the instrument were grateful and helpful to me. Some
men, I believe, would have been driven frantic under the circumstances;
to me, anything like a musical sound always came as a godsend; it tuned
my thoughts; it made the words flow. Even the street organs put me in a
happy mood; I owe many a page to them--written when I should else have
been sunk in bilious gloom.
Public-domain text, read in full here on John Shaqi.
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