---- William, skinner, 269. Otener William, jeweller, 88, 157. Otney William, 159. Owche, [_i. e._ a brooch,] of gold, paid for, 193. Ox, the stalking, brought, 112. See STALKING. Oxenbridge, 25. Oxford, Scholars at, 82, 125, 243, 260. See SCHOLARS. ----, 3, 8, 13, 26, 156. Oxford Lord, 127. John de Vere, K. G. fifteenth Earl of Oxford, and Lord Great Chamberlain. He died in 1539. Oxford, Old Lady, 89, 173, 277. Most probably Elizabeth, widow of John de Vere, fourteenth Earl of Oxford, who died in 1526, S. P. and daughter and coheir of Sir Richard Scrope, Knt. younger son of Henry Lord Scrope of Bolton. She married first William Viscount Beaumont, and died S. P. in November, 1537. An abstract of her Will is printed in _Testamenta Vetusta_, vol. ii. p. 675. Page Master, 141, 147, 159. Page ----, 267. Pages of the Queen's chamber, to the, 101. ---- of the King's chamber, 14, _bis_, 119, 187. Painter, Vincent, the King's, 44, 91. Painters to, for their livery, 120, 174. ---- paid, 44, 91, 120, 188, 195, 221, 261. Painter, to the Queen of Navarre's, 221. ----, to Tote the, 261. ---- to a, for the expenses of painting the king's boat, 262. As nearly all these entries respecting Painters are noticed by Mr. Horace Walpole in his _Anecdotes of Painting_, they afford no new information on the subject. The names of those who are mentioned are Vincent who painted a plat of Hastings and Rye, for which he was paid 3_l._ 10_s._; Bartholomew Penne, Anthony Toto, Andrew Oret, and Ambrose, the Queen of Navarre's painter. Of Vincent, Mr. Walpole gives no account; Ambrose, he conjectures to have stood in but little estimation, because the sum given him for a picture was only 4_l._ 13_s._ 4_d._ but of Penne and Tote we have the following particulars: "Penne or Penn is called by Vasari not Bartholomew but Luca Penni; he was brother of Gio Francesco Penni, a favourite and imitator of Raphael. He worked some time at Genoa and in other parts of Italy, whence he came into England, and painted several pieces for the king and some merchants here. Vertue concludes that some scriptural subjects which he found in a small room called the Confessionary, near the Chapel at Hampton Court, particularly the Passion, were by Penn. Vasari adds, that Luca Penni addicted himself latterly to making designs for Flemish engravers. Toto was afterwards Serjeant Painter, and Rymer (vol. xiv. p. 595.) gives his letters of Naturalization. Speaking of Ridolphi fils de Dominique Ghirlandaio, he says, 'Chez lui il y avait Toto del Nuntiato, qui depuis s'en alla en Angleterre, ou il fit plusieurs ouvrages de peinture et d'architecture, avec lequel Perrin fut amitié, et a l'envie l'un de l'autre s'efforcoit à bien faire.' But Toto's works are all lost or unknown; his fame, with that of