The Problem of 'Edwin Drood': A Study in the Methods of DickensNicoll, W. Robertson (William Robertson), Sir
General
The Problem of 'Edwin Drood': A Study in the Methods of Dickens
Nicoll, W. Robertson (William Robertson), Sir
Cathedrals in literature; Dickens, Charles, 1812-1870. Mystery of Edwin Drood; Murder in literature
now that the gardener must be the murderer, and Solomon Daisy predicted
that he would be heard of. That is the whole story as told by Solomon
Daisy, and Poe affirms that he perceived from this story: (1) That the
steward Rudge first murdered the gardener; (2) that he then went to his
master’s chamber and murdered him; (3) that he was interrupted by Rudge’s
wife, whom he seized and held by the wrist to prevent her giving the
alarm; (4) that he possessed himself of the booty, returned to the
gardener’s room, exchanged clothes with him, put upon the corpse his own
watch and ring, and secreted it where it was afterwards discovered at so
late a period that the features could not be identified.
WHERE POE FAILED
Poe admits that his preconceived ideas were not entirely correct:
The gardener was murdered, not before, but after his master; and that
Rudge’s wife seized _him_ by the wrist, instead of his seizing _her_,
has so much the air of a mistake on the part of Mr. Dickens that we
can scarcely speak of our own version as erroneous. The grasp of a
murderer’s bloody hand on the wrist of a woman _enceinte_ would have
been more likely to produce the effect described (and this every one
will allow) than the grasp of the hand of the woman upon the wrist of
the assassin. We may, therefore, say of our supposition, as
Talleyrand said of some cockney’s bad French—_que s’il ne soit pas
Français assurément donc il le doit être_—that if we did not rightly
prophesy, yet, at least, our prophecy should have been right.
I have no hesitation in saying that this is largely a piece of pure
mystification, another _Tale of the Grotesque and Arabesque_. It is
conceivable that Poe guesses from Solomon Daisy’s story that the steward
Rudge murdered the gardener and his master. It follows that the steward
changed clothes with the murdered gardener, put upon the corpse his own
watch and ring, and secreted it where it was afterwards discovered at so
late a period that the features could not be identified. But that Poe
should have guessed immediately after reading Solomon Daisy’s story that
he seized and held by the wrist his wife to prevent her giving the alarm
is beyond belief. ‘By the wrist’ are the three significant words, and
they prove that Poe must have had before him when writing the parts of
the novel up to and including chapter V. For it is in the fifth chapter
that the first mention is made of the smear of blood on Barnaby’s wrist.
We read there:
They who knew the Maypole story, and could remember what the widow
was, before her husband’s and his master’s murder, understood it
well. They recollected how the change had come, and could call to
mind that when her son was born, upon the very day the deed was
known, he bore upon his wrist what seemed a smear of blood but half
washed out.
Near the beginning of chapter lxii., where Rudge is making his confession
in prison, he says of his wife:
Public-domain text, read in full here on John Shaqi.
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