The Problem of 'Edwin Drood': A Study in the Methods of DickensNicoll, W. Robertson (William Robertson), Sir
General
The Problem of 'Edwin Drood': A Study in the Methods of Dickens
Nicoll, W. Robertson (William Robertson), Sir
Cathedrals in literature; Dickens, Charles, 1812-1870. Mystery of Edwin Drood; Murder in literature
The ring will come back to him from the dust of death.
THE PRINCIPLES OF DISGUISE
It is universally admitted that Datchery was disguised.
Before seeking to identify him with a character already known to us I
shall give a short note on the principles and limitations of disguise.
Suppose one wishes to disguise himself, how far is it possible for him to
succeed? What are the limits within which success is possible?
The question was very carefully discussed in the _Berliner Tageblatt_ for
15th May 1912, under the title ‘On the Psychology of Dissimulation.’ The
author, Dr. Hugo Eick, uses the word _Verstellung_ entirely in the sense
of mental disguise or purposeful deception. In the closing paragraph he
limits the possibilities. His remarks on this question are not without
value for the students of certain literary problems.
According to Dr. Eick, the really fundamental things which can never be
imitated are all manifestations of positive life. For example, we cannot
simulate courage, enthusiasm, humility. It is true that we can reproduce
certain distinctive marks of courage and enthusiasm which may deceive the
inexperienced; but the essence of these qualities can be expressed only
by a person who has experienced them, and who possesses them. A brave
man may simulate timidity and cowardice, the man who is capable of
enthusiasm may wear the mask of apathetic indolence; all depressive and
negative conditions may be imitated. But fulness of life and the sap
which quickens it cannot be replaced by any dissimulation. The stupid
person may persuade another stupid person to believe in his cleverness.
But it is impossible to counterfeit cleverness before a clever person
unless we possess a minimum of cleverness, because a certain amount of
cleverness is needed for the deception itself. The real tone of truth’s
voice can no more be copied than the fiery gleam of enthusiasm. At this
point all the arts of deception fail; the voice contradicts the words.
The man who possesses something of these qualities of soul can indeed
simulate higher degrees of the same qualities, and can exploit them in
unlimited measure. But the elemental things of life are inimitable, and
lie beyond the reach of falsehood. He who imitates an elemental thing is
immediately discovered—supposing, of course, that the discoverer has
himself some share in the element.
THE NECESSARY QUALIFICATIONS
The idea that Datchery is a new character may safely be dismissed. It is
in one of the characters already on the stage that we must find Datchery.
I might proceed by taking the characters one by one, and by a process of
exhaustion arrive at Datchery. But a simpler way may be to enumerate the
qualifications required in Datchery, and to show that one character of
the story possesses them all. The claims of the other characters may be
then discussed.
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