The professor's experiment: A novel, Vol. 2 (of 3)Duchess
Science
The professor's experiment: A novel, Vol. 2 (of 3)
Duchess
Science fiction
‘A lot of lies. Ah yes, that’s of course,’ says Crosby, interrupting him
sympathetically. ‘But what they didn’t teach you was that there are two
opinions, you know. You can show Lord Rosebery to the people who have
not a shilling in the world, and not a grandfather amongst them; but I
think you had better show Miss Barry a photograph of Lord Salisbury, and
if you haven’t that, one of the Queen. She’s quite devoted to the
Queen.’
‘I wish I’d been told, sir,’ says the photographer, so wearily that
Crosby decides on giving him a substantial tip for himself when the
sittings are over.
‘Now, ma’am,’ says the photographer, returning to the charge with
splendid courage, seeing Miss Barry has reseated herself in the chair,
after prolonged persuasion from Carew and Susan. Betty and Dominick, it
must be confessed, have behaved disgracefully. Retiring behind a huge
screen, and there stifling their mirth in an extremely insufficient
manner, gurgles and, indeed, gasps, have come from between its joints to
the terrified Susan.
‘And now, ma’am, will you kindly turn a little more this way?’ The poor
man’s voice has grown quite apologetic. ‘Ah, that’s better! Thank you,
ma’am. And if I might pull out your dress? Yes, that’s all right. And
your elbow, ma’am, please.’
‘Good gracious! why can’t he stop,’ thinks poor Susan, who sees wrath
growing again within Miss Barry’s eye.
‘It is just a little, a very little, too pointed. Ah, yes. There! And
your foot, ma’am—under your dress, if you please.’
Here Miss Barry snorts audibly, and the photographer starts back; but
hearing is not seeing, and he rashly regains his courage and rushes to
his destruction.
‘That’s well, very well,’ says he, not being sufficiently acquainted
with Miss Barry to note the signs of coming war upon her face; ‘and if
you will now please shut your mouth—’
Miss Barry rises once more like a whirlwind.
‘Shut your own, sir!’ cries she, shaking her fist at him.
There is one awful moment, a moment charged with electricity; then it is
all over. The worst has come, there can be nothing more. Miss Barry is
again pressed into her chair. The photographer, having come to the
comforting conclusion that she is a confirmed lunatic, takes no more
pains over her, refuses to adjust her robe, to put her face into
position or revise her expression, and simply takes her as she is. The
result is that he turns out the very best photograph he has taken for
many a year.
After this things go smooth enough, until at last even Betty—who has
proved a troublesome customer, if a very charming one—declares herself
satisfied.
‘No more, sir?’ says the photographer to Crosby, whom he has elected to
address as being the principal member of the party. To speak to Miss
Barry would have been beyond the poor man.
‘Oh yes, one more,’ says Crosby.
CHAPTER XXXIV.
Public-domain text, read in full here on John Shaqi.
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