The Profits of Religion, Fifth EditionSinclair, Upton
Religion
The Profits of Religion, Fifth Edition
Sinclair, Upton
Christianity -- Controversial literature
This unconventional Son lived obscurely; he never carried weapons, he
could not bear to have so much as a human ear cut off in his presence.
But see how he figures in the Court Circular:
The Son of God goes forth to war,
A kingly crown to gain:
His blood-red banner streams afar:
Who follows in His train?
This carpenter's son was one of the most unpretentious men on earth;
utterly simple and honest--he would not even let anyone praise him.
When some one called him "good Master," he answered, quickly, "Why
callest thou me good? There is none good save one, that is, God." But
this simplicity has been taken with deprecation by his church, which
persists in heaping compliments upon him in conventional, courtly
style:
The company of angels
Are praising Thee on high;
And mortal men, and all things
Created, make reply:
All Glory, laud and honour,
To Thee, Redeemer, King....
The impression a modern man gets from all this is the unutterable
boredom that Heaven must be. Can one imagine a more painful occupation
than that of the saints--casting down their golden crowns around the
glassy sea--unless it be that of the Triumvirate itself, compelled to
sit through eternity watching these saints, and listening to their
mawkish and superfluous compliments!
But one can understand that such things are necessary in a monarchy;
they are necessary if you are going to have Good Society, and a Good
Society church. For Good Society is precisely the same thing as
Heaven; that is, a place to which only a few can get admission, and
those few are bored. They spend their time going through costly
formalities--not because they enjoy it, but because of its effect upon
the populace, which reads about them and sees their pictures in the
papers, and now and then is allowed to catch a glimpse of their
physical Presences, as at the horse-show, or the opera, or the
coaching-parade.
#Horn-blowing#
Public-domain text, read in full here on John Shaqi.
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