The Progress of Invention in the Nineteenth Century.Byrn, Edward W. (Edward Wright)
History
The Progress of Invention in the Nineteenth Century.
Byrn, Edward W. (Edward Wright)
Inventions -- History; Inventions -- History -- 19th century
When nature paints she does so with the brush of beauty, dipped in the
pigment of truth. The tender affection of a ray of light touches the
heart of a rose, brings a blush to its cheek, and life, becoming the
bride of chemical affinity, blooms into surpassing beauty and
loveliness. Photography is closely allied to nature’s painting, for just
as light brings into existence nature’s living beauties, so does light
fix, preserve, and perpetuate these beauties by the same subtile and
mysterious agency of a quickened chemical affinity. Photography is both
an art and a science, and as such is both beautiful and true. It is an
art intimately associated with the tenderest affections of the human
heart in keeping alive its precious memories. By it the youthful
sweetheart of long ago, the loving face of the departed mother, and the
cherished form of the dead child are brought back to us in familiar
presence, while our great men have become the every-day friends and
ideals of the common people. What an enrichment and satisfaction it
would have added to our lives if the art had been coeval with history,
and all the world’s exalted scenes and faces had come to us through the
camera with the knowledge of absolute truth and fidelity. But not only
in portraiture is photography a great art, for it catches the stately
pose of the mountain, the grandeur of the sea, the beauty of the forest,
or the majesty of Niagara Falls, and brings them all home to us, even to
the vision of the bed-ridden invalid. The camera alike records the
secrets of the starry heavens and the bacteria of the microscopic world.
Hanging on the tail of a kite it photographs the face of mother earth,
and, acting quicker than the lightning, it catches and defines the path
of that erratic flash. It plays the part of a private detective, and its
testimony in court is never doubted. The architect, engineer, and
illustrator find it in constant requisition. By the aid of the Roentgen
Rays, it locates a bullet in a wounded soldier, and takes a picture of
one’s spinal column. In fact, it sees and records things both visible
and invisible, acts with the rapidity of thought, and is never mistaken.
Public-domain text, read in full here on John Shaqi.
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