The Progress of Invention in the Nineteenth Century.Byrn, Edward W. (Edward Wright)
History
The Progress of Invention in the Nineteenth Century.
Byrn, Edward W. (Edward Wright)
Inventions -- History; Inventions -- History -- 19th century
_The Daguerreotype._--In 1829 Niépce and Daguerre became partners, and
in 1839, after the death of the elder Niépce, the process named after
Daguerre was perfected (British patent No. 8,194, of 1839). He abandoned
the resin as a sensitive material, and went back to the salts of silver.
He employed a polished silver surfaced plate, and exposed it to the
action of the vapors of iodine, so as to form a layer of iodide of
silver upon the surface, which rendered it very sensitive. By a short
exposure in the camera an effect was produced, not visible to the eye,
but appearing when the plate was subjected to the vapor of mercury. This
process reduced the time required from hours to minutes, and as it
involved the production of a latent image, which was subsequently
developed by a chemical agent, it represented practically the beginning
of the photographic art as practiced to-day. Daguerre sought also to
permanently fix his pictures, but this was accomplished only imperfectly
until 1839, when Sir John Herschel made known the properties of the
hyposulphites for dissolving the salts of silver. In 1844 Hunt
introduced the protosulphate of iron as a developer.
_Production of Positive Proofs from Negatives._--This was first done by
Mr. Fox Talbot, of England, between 1834 and 1839. In his first
communication to the Royal Society, in January, 1839, it was directed
that the paper should be dipped first in a solution of chloride of
sodium, and then in nitrate of silver, which, by reaction, produced, on
the face of the paper, chloride of silver, which was more sensitive to
the light than nitrate of silver. The object to be reproduced was laid
in contact with the prepared paper, and exposed to the light until a
copy was produced which was a negative, having the lights and shadows
reversed. A second sheet was then prepared, and the first or negative
impression was laid upon it, and used as a stencil to produce a second
print which, by a reversal of the lights and shadows, formed an exact
reproduction of the original. In 1841, British patent No. 8,842 was
obtained by Mr. Talbot, for what he called the “Calotype,” and which was
afterward known as the “Talbotype.” A sheet of paper was first coated
with iodide of silver, by soaking it alternately in iodide of potassium
and nitrate of silver, and was then washed with a solution of gallic
acid containing nitrate of silver, by which the sensitiveness to light
was increased. An exposure of some seconds or minutes, according to the
brightness of the light, produced an impression upon the plate, which,
when treated with a fresh portion of gallic acid and nitrate of silver,
developed into the image. After being fixed it formed a negative from
which any number of prints might be obtained. The Talbot process
represented a great advance in this art. Glass plates to retain the
sensitive film were introduced by Sir John Herschel in 1839, and were a
great improvement over the paper negatives, which latter, from lack of
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