History, Modern -- 19th century; Nineteenth century
The century, even if we are in full decadence (of which we are not
the best judges), has been glorious in literature, and holds its own
well with any in modern history. English itself has passed from the
occasionally stilted Augustan survival, through the novelties of
Macaulay, De Quincey, and Carlyle, and the early decorated of Mr.
Ruskin, into slipshod slang in one extreme, and euphuism in the other.
But the main stream keeps its course, and English may be written with
perfect purity, and with new fluency and variety, by the men for whom
the task is reserved by fate. But what does the century bequeath by way
of intellectual motive? Little but the more or less transformed forces
of the eighteenth century. There is science, but science, happily, is
beginning to be aware that she is not really omniscient. Conceivably
her foot is on the border of a new region, often surmised, never
explored, full of light on the problems of spirit and matter. Hence,
indeed, might come a new force in letters. Again, the social ideas of
1750–1800 may take practical shapes of incalculable momentousness, but
these would not for long be favorable to literature. Or, less probably,
the return on the past may assume practical shape, though this element
of the later eighteenth century may seem, as far as letters go, to be
exhausted. In brief, as I began by saying, the division of literary
periods by measures of time is a cross-division. This peculiarity the
last hundred years possess: that literature now blossoms on a far
wider field. English-speaking America had, indeed, a literature long
before the War of Independence; but it was not a literature for every
reader of to-day. Now, and for long, the States have taken their own
part in history, fiction, poetry, and all other branches of letters.
Germany came back into world literature again just at the ending of the
eighteenth century, after unregarded ages of neglect. Russia and the
Scandinavian North awoke about the same time, and daily widen their
influence, as does Belgium in the sunshine of Maeterlinck. France, of
course, has in all time been in the foremost rank; while to balance
America, Russia, and the North, Italy and Spain have scarcely held
the place which through so many centuries was their own. Such changes
in national literatures resemble the political waxings and wanings
of national fortunes. The English-speaking peoples may have their
eclipse; perhaps it is heralded by a modern comparative deficiency in
humor which, if England and America cease to laugh, will die out of a
profoundly solemn world.
Public-domain text, read in full here on John Shaqi.
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