Upon all the native Italic civilization came an entirely different influence from the immigrant Etruscan. Traditionally coming from Asia Minor, he brought art and religion which had no relation to the Italic. The earliest Etruscan paintings are strongly northern in style, influenced by north European feeling (Veii). But soon the Etruscan borrowed largely from other races, from the Greek mainly, but also from Assyria and Egypt. Thus the fascinating problem in Italy is to distinguish the various sources of Italic, Etruscan, Græco-Etruscan, Oriental-Etruscan, and pure Greek, which are found in all degrees of combination before Roman times, and which can still be traced through the Roman age. The characteristics of Etruscan taste are: (1) The extraneous objects and figures, such as rows of pendants to a metal vase, monstrous heads standing out from a bowl, and statuettes placed for handles; (2) in forms of vases and furniture, the combination of many different parts and curves which never form a whole design; (3) and in sculpture the large round head and staring eyes. In general, an air of clumsy adaptation by a race deficient in originality. The glory of the Etruscan was his engineering, which he handed as a legacy to Rome. Strange to say, although thousands of Etruscan inscriptions are known, and many words are translated, yet the language is sealed to us, and none of the many attempts to read it has succeeded. The scientific study of Etruscan tombs has been well followed lately, as shown in the Florence Museum, where a separate room is devoted to each city. In the south of Italy Greek art prevailed, and many of the finest works belong to this civilization. The Greek in Italy had rather different ideals to those of Greece; he started more from the level of Polykleitos and Praxiteles than from the severe age; his favorite type is that of youth and adolescence, never of maturity. The grace and feeling of such bronze statues as the Hermes and so-called Sappho of Herculaneum are peculiar to southern Italy. And when the Greek artist penetrated north and allied himself with the mechanical skill of the Etruscan, such splendid work was done as the Orator of Sanguineto.