The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edgesHalfer, Josef
Science
The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edges
Halfer, Josef
Marbled papers; Marbling (Bookbinding)
In order to produce the necessary transfer strips use only the best
English roller composition. Cut this mass into small pieces, place them
in an earthen vessel, subject them to a moderate heat until they become
entirely fluid and pour the fluid mass on a piece of glass or a smooth
sheet of tin. After this has cooled it should be carefully removed. To
render this easier, the plate of glass or the piece of tin should be
lubricated with some fine oil.
Producing Marble on Gilt Edges.
PRODUCING MARBLE ON GILT EDGES.
If gilt, silver or aluminium edges are to be marbled, they must be
thoroughly dried, burnished slightly and rubbed off with a small piece
of linen, silk or leather, and any blemishes or spots from which the
gold or other metal has blistered must be repaired.
The dull gilt-edge is now to be moistened by means of a soft brush with
a solution of powdered alum in hot water after this has formed a thin
paste.
The marbling of the gilt-edge is executed in the usual way, before the
layer of alum is entirely dried. After the completion of the marbling
the edge must be washed with water until it is entirely clean.
After the edge has become dry, it is rubbed with a waxed rag and
burnished over.
For marbling, the common marbling colors can be used.
It remains only to add that too dry edges do not take marbling colors
readily.
CONTENTS.
Page.
Preface to the first edition, 3
Preface to the second edition, 10
Historical, 13
The size, 21
Carrageen moss, 31
Gum tragacanth, 45
Salep, Flea-bane and other glutinous bodies, 53
The Ox-gall,--Its chemical analysis, 59
Effect of the gall on colors, 60
Preparation of ox-gall and its uses, 63
Substances acting similarly to gall, 71
Sprinkling water, 75
The alum water, 79
The preparation of colors for marbling, 85
The marbling of book-edges and paper, 97
The comb or nonpareil marble, 103
The peacock marble, 111
The bouquet marble, 115
The entwined comb marble, 119
The snail marble, 123
General remarks relative to drawn edges, 129
Marbled edges, 137
Hair-vein edges, 147
Rules in regard to the marbling table, 153
Precautions, 153
A new expanding medium, 154
Marbling of gilt-edges, 159
Marbling on a large scale, 159
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