The Promise: A Tale of the Great NorthwestHendryx, James B. (James Beardsley)
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The Promise: A Tale of the Great Northwest
Hendryx, James B. (James Beardsley)
Northwestern States -- Fiction; Western stories
Rough calls of rough men sounded above the crash and pound of logs and
the roar of the rushing waters. Now and then a scrap of rude chantey
reached her ears, a hoarse oath, or a loud, clear order in a voice she
knew so well.
It was like some eery fantasy, born of an overwrought brain. And yet
she knew it was real--intensely real. Down there among the flashing
lights men played with death--big, rough men who laughed loud as they
played, and swore mighty oaths, and sang wild, full-throated songs.
From the shadow almost at her side came the sound of a half-stifled
sob. She started. There was a soft footfall on the leaf-mold, and
before her stood Jeanne Lacombie. The soft moonlight touched with
silvery sheen the long hairs of the great, white wolf-skin which the
girl wore thrown loosely across her shoulders.
As Ethel gazed upon the wild, dark beauty of the Indian girl her tiny
fists clenched, and her breath came in short, quick gasps.
Why was she here? Had she followed to taunt her to her face? A mighty
rage welled up within her, her shoulders stiffened, and as she faced
the girl her blue eyes flashed.
And then the Indian girl spoke, and at the first words of the soft,
rich voice, the rage died in her heart. She looked closely, and in the
dark, liquid eyes was a look the white girl will never forget.
She listened, and with few words and all the dramatic eloquence of the
pure Indian the half-breed girl told of the rescue from the river; of
her own love for M's'u' Bill, "The-Man-Who-Cannot-Die"; of his firm
rejection of that love; of her pursuit of him when he started for the
land of the white man; of the scene at the camp-fire when old
Wa-ha-ta-na-ta called him "The One Good White Man"; of the broken
knife; of The Promise; of her peril at the hand of Moncrossen, and of
the cold-blooded shooting of her brother.
And then she told of Bill's all-absorbing love for her, Ethel. And of
how he always loved her, even when he believed she hated and despised
him; of his deep hurt and the misery of his soul when he believed that
she was to marry another.
Until suddenly there in the moonlight the girl of the city saw for the
first time the bigness of the man--_her man_. She saw him as he was now
and as he had been in the making--the man who had been dubbed "Broadway
Bill, the sport"; the "souse," who had "soaked a cop" and then "beat it
in a taxi."
Public-domain text, read in full here on John Shaqi.
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