The Prophecies of the Brahan Seer (Coinneach Odhar Fiosaiche)Mackenzie, Alexander
History
The Prophecies of the Brahan Seer (Coinneach Odhar Fiosaiche)
Mackenzie, Alexander
Precognition; Prophecies
There are instances of the minds of some having been unhinged through the
influence of undue credulity in certain practices of this nature. It has
frequently happened besides, that personal injury has been inflicted,
unintentionally no doubt, by the frolics and fooleries of that evening.
The throwing of cabbage runts and large round turnips down the “lums,”
or chimneys of the cottars’ dwellings, have often struck violently
upon the family group around the cosy ingle, and inflicted serious
injuries. The ceremony of throwing the clue of blue yarn into the pit
of the kiln is one that has been attended with unhappy results. Kilns
for drying corn are generally erected in lonely places, apart from the
other dwellings, owing to their liability to catch fire. On the other
hand, the kiln-logies or pits, are dreary, dark, deep receptacles, of
circular form, narrow below and wide above, like hollow cones inverted.
During the romping frivolities of the domestic circle in performing as
many of the games as they can, lots are cast as to the maiden who must
resort to the kiln at the dark hour of midnight, with her clue of blue
thread in her hand, to meet with her sweetheart, or to hear his name. The
selected “lass” must go, and go alone, however dark and stormy the night.
It requires no small fortitude to enter the damp, dark kiln, to climb
to the upper ridge of the kiln-logie, and to sit in that weird position
in utter darkness. By this time, however, a number of the young men,
unknown to the girl, had resorted to the kiln, and concealed themselves
in and around the place. The girl, with palpitating heart cast her clue
in to the kiln-logie, retaining the end of the thread in her hand, and
exclaiming, with tremulous voice, “Co e sud th’air ceann mo ròpain?” (Who
is there at the end of my rope or thread?) Some of the youths, hidden in
the kiln, would enter the aperture or fire-place below, lay hold of the
clue in the pit, and cry with a feigned-unnatural voice, “I am here, what
want ye with me?” “Who art thou, and what thy name, bold swain?” The
replies to this query were various. Some said that they were the girl’s
sweetheart, others, that they were wizards or beings of the supernatural
order. Some even wickedly feigned to be the prince of darkness, when the
preconcerted shrieking and howling of the hidden fellows so terrified the
trembling young female above, as to render her a helpless maniac for life.
Public-domain text, read in full here on John Shaqi.
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