Since the heat of this business, which has of late so much and so justly
concerned this kingdom, is at last, in a great measure over, we may
venture to abate something of our former zeal and vigour in handling it,
and looking upon it as an enemy almost overthrown, consult more our own
amusement than its prejudice, in attacking it in light excursory
skirmishes. Thus much I thought fit to observe, lest the world should be
too apt to make an obvious pun upon me; when beginning to dream upon
this occasion, I presented it with the wild nocturnal rovings of an
unguided imagination, on a subject of so great importance, as the final
welfare or ruin of a whole nation.
[Footnote 1: The following tract, written probably by Thomas Sheridan,
Swift's humorous friend, is interesting as affording an example of the
lighter kind of literature brought into existence by this agitation. It
may be that Swift had a hand in its composition. The text is taken from
a copy of the original broadside in the South Kensington Collection. It
was published during the height of the controversy. [T.S.]]
But so it was, that upon reading one of the Drapier's letters, I fell
asleep, and had the following dream:
The first object that struck me was a woman of exquisite beauty, and a
most majestic air, seated on a throne, whom by the figure of a lion
beneath her feet, and of Neptune who stood by her, and paid her the most
respectful homage, I easily knew to be the Genius of England; at some
distance from her, (though not at so great an one as seemed to be
desired,) I observed a matron clothed in robes so tattered and torn,
that they had not only very nigh lost their original air of royalty and
magnificence, but even exposed her to the inclemency of the weather in
several places, which with many other afflictions had so affected her,
that her natural beauty was almost effaced, and her strength and spirits
very nigh lost. She hung over a harp with which, if she sometimes
endeavoured to sooth her melancholy, she had still the misfortune to
find it more or less out of tune, particularly, when as I perceived at
last, it was strung with a sort of wire of so base composition, that
neither she nor I could make anything of it. I took particular notice,
that, when moved by a just sense of her wrongs, she could at any time
raise her head, she fixed her eyes so stedfastly on her neighbour,
sometimes with an humble and entreating, at others, with a more bold and
resentful regard, that I could not help (however improbable it should
seem from her generous august appearance) in a great measure to
attribute her misfortunes to her; but this I shall submit to the
judgment of the world.
I should now at last mention the name, were not these circumstances too
unhappily singular to make that any way necessary.
Public-domain text, read in full here on John Shaqi.
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