The Prose Works of Jonathan Swift, D.D. — Volume 09: Contributions to The Tatler, The Examiner, The Spectator, and The IntelligencerSwift, Jonathan
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The Prose Works of Jonathan Swift, D.D. — Volume 09: Contributions to The Tatler, The Examiner, The Spectator, and The Intelligencer
Swift, Jonathan
English essays -- 18th century; English prose literature -- 18th century
FROM THURSDAY NOVEMBER 2, TO THURSDAY NOVEMBER 9, 1710.
_E quibis hi vacuas implent sermonibus aures,
Hi narrata ferunt alio: mensuraque ficti
Crescit, et auditis aliquid novus adjicit autor,
Illic Credulitas, illic temerarius Error,
Vanaque Laetitia est, consternatique Timores,
Seditioque recens, dubioque autore susurri._[2]
I am prevailed on, through the importunity of friends, to interrupt the
scheme I had begun in my last paper, by an Essay upon the Art of
Political Lying. We are told, "the Devil is the father of lies, and was a
liar from the beginning"; so that beyond contradiction, the invention is
old: And which is more, his first essay of it was purely political,
employed in undermining the authority of his Prince, and seducing a third
part of the subjects from their obedience. For which he was driven down
from Heaven, where (as Milton expresseth it) he had been viceroy of a
great western province;[3] and forced to exercise his talent in inferior
regions among other fallen spirits, or poor deluded men, whom he still
daily tempts to his own sin, and will ever do so till he is chained in
the bottomless pit.
But though the Devil be the father of lies, he seems, like other great
inventors, to have lost much of his reputation, by the continual
improvements that have been made upon him.
Who first reduced lying into an art, and adapted it to politics, is not
so clear from history, though I have made some diligent enquiries: I
shall therefore consider it only according to the modern system, as it
has been cultivated these twenty years past in the southern part of our
own island.
The poets tell us, that after the giants were overthrown by the gods, the
earth in revenge produced her last offspring, which was Fame.[4] And the
fable is thus interpreted; that when tumults and seditions are quieted,
rumours and false reports are plentifully spread through a nation. So
that by this account, _lying_ is the last relief of a routed, earth-born,
rebellious party in a state. But here, the moderns have made great
additions, applying this art to the gaining of power, and preserving it,
as well as revenging themselves after they have lost it: as the same
instruments are made use of by animals to feed themselves when they are
hungry, and bite those that tread upon them.
Public-domain text, read in full here on John Shaqi.
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