The Prose Works of Percy Bysshe Shelley, Vol. 1 [of 2]Shelley, Percy Bysshe
General
The Prose Works of Percy Bysshe Shelley, Vol. 1 [of 2]
Shelley, Percy Bysshe
English prose literature
“We must instantly quit Genoa,” said Wolfstein: “the name on the mask
which I left in the Palazzo della Anzasca, will remove all doubt that I
was the murderer of Olympia. Yet indeed I care not much for death; if
you will it so, Megalena, we will even, as it is, remain in Genoa.”
“Oh! no, no!” eagerly cried Megalena: “Wolfstein, I love you beyond
expression, and Genoa is destruction; let us seek, therefore, some
retired spot, where we may for awhile at least secrete ourselves. But,
Wolfstein, are you persuaded that I love you? need there more proof be
required than that I wished the death of another for thee? it was on
_that_ account alone that I desired the destruction of Olympia, that
thou mightest be more completely and irresistibly mine.”
Wolfstein answered not: the feelings of his soul were far different;
the expression of his countenance plainly evinced them: and Megalena
regretted that her effervescent passions should have led her to so rash
an avowal of her contempt of virtue. They then separated to arrange
their affairs, prior to their departure, which, on account of the
pressing necessity of the case, must take place immediately. They took
with them but two domestics, and collecting all their stock of money,
they were soon far from pursuit and Genoa.
CHAPTER VII.
Yes! ’tis the influence of that sightless fiend,
Who guides my every footstep, that I feel:
An iron grasp arrests each fluttering sense,
And a fell voice howls in mine anguish’d ear,
“Wretch, thou mayest rest no more.”
Olympia.
How sweet are the scenes endeared to us by ideas which we have
cherished in the society of one we have loved! How melancholy to
wander amongst them again after an absence, perhaps of years; years,
which have changed the tenour of our existence,--have changed even the
friend, the dear friend, for whose sake alone the landscape lives in
the memory, for whose sake tears flow at the each varying feature of
the scenery, which catches the eye of one who has never seen them since
he saw them with the being who was dear to him!
Dark, autumnal, and gloomy was the hour; the winds whistled hollow,
and over the expanse of heaven was spread an unvarying sombreness
of vapour: nothing was heard save the melancholy shriekings of the
nightbird, which, soaring on the evening blast, broke the stillness
of the scene, interrupting the meditations of frenzied enthusiasm;
mingled with the sighing of the wind, which swept in languid and
varying cadence amidst the leafless boughs.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account