The Prose Works of Percy Bysshe Shelley, Vol. 1 [of 2]Shelley, Percy Bysshe
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The Prose Works of Percy Bysshe Shelley, Vol. 1 [of 2]
Shelley, Percy Bysshe
English prose literature
Fitzeustace was finely formed, yet there was a languor which pervaded
even his whole figure: his eyes were dark and expressive, and as,
occasionally, they met those of Eloise, gleamed with excessive
brilliancy, awakened doubtlessly by curiosity and interest. He said but
little during supper, and left to his more vivacious friend the whole
of Eloise’s conversation, who, animated at having escaped a persecutor,
and one she hated, displayed extreme command of social powers. Yes,
once again was Eloise vivacious: the sweet spirit of social intercourse
was not dead within,--that spirit which illumes even slavery, which
makes its horrors less terrific, and is not annihilated in the dungeon
itself.
At last arrived the hour of retiring.--Morning came.
The cottage was situated in a beautiful valley. The odorous perfume
of roses and jasmine wafted on the zephyr’s wing, the flowery steep
which rose before it, and the umbrageous loveliness of the surrounding
country, rendered it a spot the most fitted for joyous seclusion.
Eloise wandered out with Mountfort and his friend to view it; and so
accommodating was her spirit, that, ere long, Fitzeustace became known
to her as familiarly as if they had been acquainted all their lives.
Time fled on, and each day seemed only to succeed the other purposely
to vary the pleasures of this delightful retreat. Eloise sung in the
summer evenings, and Fitzeustace, whose taste for music was most
exquisite, accompanied her on his oboe.
By degrees the society of Fitzeustace, to which before she had
preferred Mountfort’s, began to be more interesting. He insensibly
acquired a power over the heart of Eloise, which she herself was not
aware of. She involuntarily almost sought his society; and when, which
frequently happened, Mountfort was absent at Geneva, her sensations
were indescribably ecstatic in the society of his friend. She sat in
mute, in silent rapture, listening to the notes of his oboe, as they
floated on the stillness of evening: she feared not for the future,
but, as it were, in a dream of rapturous delight, supposed that she
must ever be as now--happy; not reflecting that, were he who caused
that happiness absent, it would exist no longer.
Public-domain text, read in full here on John Shaqi.
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