I am under an English surgeon here, who says I have a disease of the liver, which he will cure. We keep horses, as this kind of exercise is absolutely essential to my health. Elise[21] has just married our Italian servant, and has quitted us; the man was a great rascal, and cheated enormously: this event was very much against our advice. I have scarcely been out since I wrote last. Adieu! yours most faithfully, P. B. S. [21] A Swiss girl whom we had engaged as nursery-maid two years before, at Geneva.--[_Note by Mrs. Shelley._] TO THOMAS LOVE PEACOCK. _Rome, March 23d, 1819._ My dear Peacock, I wrote to you the day before our departure from Naples. We came by slow journeys, with our own horses, to Rome, resting one day at Mola di Gaeta, at the inn called Villa di Cicerone, from being built on the ruins of his Villa, whose immense substructions overhang the sea, and are scattered among the orange-groves. Nothing can be lovelier than the scene from the terraces of the inn. On one side precipitous mountains, whose bases slope into an inclined plane of olive and orange-copses--the latter forming, as it were, an emerald sky of leaves, starred with innumerable globes of their ripening fruit, whose rich splendour contrasted with the deep green foliage; on the other the sea--bounded on one side by the antique town of Gaeta, and the other by what appears to be an island, the promontory of Circe. From Gaeta to Terracina the whole scenery is of the most sublime character. At Terracina precipitous conical crags of immense height shoot into the sky and overhang the sea. At Albano we arrived again in sight of Rome. Arches after arches in unending lines stretching across the uninhabited wilderness, the blue defined line of the mountains seen between them; masses of nameless ruin standing like rocks out of the plain; and the plain itself, with its billowy and unequal surface, announced the neighbourhood of Rome. And what shall I say to you of Rome? If I speak of the inanimate ruins, the rude stones piled upon stones, which are the sepulchres of the fame of those who once arrayed them with the beauty which has faded, will you believe me insensible to the vital, the almost breathing creations of genius yet subsisting in their perfection? What has become, you will ask, of the Apollo, the Gladiator, the Venus of the Capitol? What of the Apollo di Belvedere, the Laocoon? What of Raffaelle and Guido? These things are best spoken of when the mind has drunk in the spirit of their forms; and little indeed can I, who must devote no more than a few months to the contemplation of them, hope to know or feel of their profound beauty.