After having sent my letter to the post yesterday, I went to see some of the antiquities of this place, which appear to be remarkable. This city was once of vast extent, and the traces of its remains are to be found more than four miles from the gate of the modern town. The sea, which once came close to it, has now retired to the distance of four miles, leaving a melancholy extent of marshes, interspersed with patches of cultivation, and towards the sea shore with pine forests, which have followed the retrocession of the Adriatic, and the roots of which are actually washed by its waves. The level of the sea and of this tract of country correspond so nearly, that a ditch dug to a few feet in depth is immediately filled up with sea water. All the ancient buildings have been choked up to the height of from five to twenty feet by the deposit of the sea, and of the inundations, which are frequent in the winter. I went in Lord Byron’s carriage, first to the Chiesa San Vitale, which is certainly one of the most ancient churches in Italy. It is a rotunda supported upon buttresses and pilasters of white marble; the ill effect of which is somewhat relieved by an interior row of columns. The dome is very high and narrow. The whole church, in spite of the elevation of the soil, is very high for its breadth, and is of a very peculiar and striking construction. In the section of one of the large tables of marble with which the church is lined, they showed me the _perfect figure_, as perfect as if it had been painted, of a capuchin friar, which resulted merely from the shadings and the position of the stains in the marble. This is what may be called a pure anticipated cognition of a Capuchin.