The Psychology of Nations: A Contribution to the Philosophy of HistoryPartridge, G. E. (George Everett)
Philosophy
The Psychology of Nations: A Contribution to the Philosophy of History
Partridge, G. E. (George Everett)
Education; History -- Philosophy; War
This characterization of German life reveals something very much like
a paradox in the principles of the war. We see a conflict in one
direction between a certain mediaevalism in government and social forms
and a more modern and progressive type; we see also a conflict of a
modernism of an extreme form, represented by a scientific
civilization, united with this mediaevalism, and in opposition to a
conception of life which is in some respects more naive and more
primitive. The explanation of this paradox is that Germany offers an
illustration of a phenomenon of development that has been seen before
in history, of an excess of development and specialization in a
direction that appears to be off the main line of progress, or at
least is an anachronism. Germany has shown us the effects of
rationalism, some would say a morbid and hypertrophied reason. This
rationalism is certainly in part a product of systematic education and
propaganda, a conscious exploitation of science, and it is in part
temperamental. Such a result is always possible in a small state with
a highly centralized form of government. It is a notorious fact that
Germany's type of civilization can be spread neither by persuasion nor
by force. If we may apply a biological analogy we may say that German
Kultur in its modern form cannot survive. That this German
civilization has been felt by the world at large to be abnormal and of
the nature of a monstrosity we can hardly doubt, and that therefore to
some extent there has been a sense, on the part of the enemies of
Germany, of fighting to root out a dangerous and rank growth. Germany,
seeing in her own civilization only the appearance of modernism, has
been inclined to regard all other civilizations as decadent.
Public-domain text, read in full here on John Shaqi.
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