The Psychology of Singing: A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and ModernTaylor, David C. (David Clark)
Science
The Psychology of Singing: A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern
Taylor, David C. (David Clark)
Singing; Voice culture
Empirically considered, there is a striking difference between the
correct vocal action and any other manner of tone-production. A perfect
vocal tone awakens in the hearer a distinct set of auditory and muscular
sensations. Attentively observed, the muscular sensations of the hearer
indicate that the perfect vocal tone is produced by the balanced and
harmonious action of all the muscles of the singer's vocal mechanism. In
listening to perfect singing the hearer feels that every muscle of the
singer's vocal organs is contracted with exactly the appropriate degree
of strength. Any vocal tone of unsatisfactory sound awakens in the
hearer a set of muscular sensations, the direct opposite of those
indicating the correct vocal action. An incorrectly produced tone
imparts to the hearer a sensation of stiffness and undue muscular
tension, located more or less definitely in the throat. This sensation
indicates that the singer's throat is stiffened by excessive muscular
contraction. Further, this feeling of throat stiffness indicates to the
hearer that the singer's vocal action would become correct if the undue
muscular tension were relaxed.
Combining now the results of empirical and scientific investigation of
the voice, throat stiffness is seen to be the interfering influence
which disturbs the instinctive connection between voice and ear. Let us
now consider the meaning of throat stiffness as a feature of incorrect
tone-production. First, what is muscular stiffness?
All the voluntary muscles of the body are arranged in opposed pairs,
sets, or groups. A typical pair of opposed muscles are the biceps and
triceps of the upper arm. Contraction of the biceps flexes the forearm
at the elbow; the contrary movement, extending the forearm, results from
the contraction of the triceps. This principle of opposition applies to
the entire muscular system. One set of muscles raises the ribs in
inspiration, another set lowers them in expiration; one group flexes the
fingers and clenches the fist, an opposed set extends the fingers and
opens the hand. Muscular opposition does not imply that the entire
structure is made up of parallel pairs of muscles, like the biceps and
triceps, located on opposite sides of the same bone. It means only that
the opposed sets pull in contrary directions.
Each opposed set consists of muscles of about equal strength. Under
normal conditions of relaxation the entire muscular system exerts a
slight degree of contraction. To this normal state of oppositional
contraction the name "muscular tonicity" is given. The present purpose
does not call for a discussion of the subject of muscular tonicity. This
form of contraction has no direct bearing on the performance of
voluntary movements.
Public-domain text, read in full here on John Shaqi.
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