The Psychology of Singing: A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and ModernTaylor, David C. (David Clark)
Science
The Psychology of Singing: A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern
Taylor, David C. (David Clark)
Singing; Voice culture
This statement must not be construed to mean that the study of the vocal
mechanism has been devoid of valuable results. On the contrary, the
present understanding of the mechanical operations of the voice will be
found of very great value in erecting a true science of Voice Culture.
The only weakness of the present results of vocal investigation is due
to the fact that this investigation has always been carried on under the
influence of the idea of mechanical vocal management. This influence has
led all theoretical students of the subject to attempt to apply their
knowledge in formulating rules for direct mechanical guidance of the
voice. That these rules are valueless is due solely to the fundamental
error involved in the mechanical idea.
Voice Culture must be turned from the idea of mechanical vocal
management. The old Italian masters were right in that they relied, even
though empirically, on the imitative faculty. Modern teachers may do
better, for in the light of present knowledge reliance on the faculty of
vocal imitation can be shown to be in strict accord with sound
scientific principles.
Part III
THE BASIS OF A REAL SCIENCE OF VOICE
CHAPTER I
THE MEANS OF EMPIRICAL OBSERVATION OF THE VOICE
To all knowledge obtained through the observation of facts and
phenomena, the term empirical is properly applied. Empirical knowledge
must be the basis of every science. To be available in forming a
science, empirical knowledge of a subject must be so carefully gathered
that all probability of error is eliminated; the observations must be so
exhaustive as to embrace every possible source of information. From the
knowledge thus obtained a set of verified general rules must be worked
out with which all the observed facts and phenomena are shown to be in
accord. Then a science has been erected. There is no possibility of
conflict between empirical and scientific knowledge. The discovery of a
single fact, at variance with the supposed general laws bearing on any
subject, is sufficient to overthrow the entire structure which had been
accepted as a science.
In the accepted Vocal Science the terms empirical and scientific are
used in a sense entirely different from that which properly attaches to
these words. Present knowledge of the operations of the voice is called
scientific, solely because it is derived from the sciences of anatomy,
acoustics, and mechanics. The term "empirical knowledge of the voice" is
used as a name for knowledge of the subject drawn from any source other
than these sciences. Yet so far as the modern vocal world seems to be
aware, it possesses no knowledge of the voice other than that commonly
called scientific. It is supposed that the old Italian masters had some
"empirical understanding of the voice." But, if this was the case, their
empirical knowledge has apparently been utterly lost.
Public-domain text, read in full here on John Shaqi.
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