His car had come to a stand in the stillness of Harrow Street, but
still they sat.
“What you mean is--you haven’t any place for me as a lover or a
husband.”
“That’s like you, but that’s it.... Dicky, you mean to me something
done, something found. I don’t dare to turn to you and rest. The savage
undone things in me _won’t_ rest! They demand experiences, life--and no
one knows better, that they mean pain ... and oh--under your lamp--it’s
horrible to tell it, but you’ll forgive me later, when you see that it
had to be told----”
“What are you talking about, Pidge?”
“Under your lamp--in there! He came about a manuscript. He was broke
and needed help--all his stories refused. He asked to see me that
night. Miss Claes’ basement was occupied. She sent him up. We talked.
He wanted something, money, everything. Under your light--he took me
to him, his coat open----”
Cobden startled her, as he cleared his throat. The silence between them
had been so deep.
“It meant nothing to him! He was used to it. It was only his way to
get something--money most, he wanted. It was just as he might take a
waitress or hall maid--used to having girls ‘fall for’ him. This is
what I mean--though I understand him, a theatrical mind, a liar--life
meant something to me that instant, that it never meant before.
Something I must do, something calling--pain, but something I haven’t
done!”
“You mean--you mean--it isn’t over?”
“Just that, Dicky, and oh, forgive me! I may not see _him_ ever again,
but _something in me_ isn’t ‘over.’ I had to tell you--to be honest, to
learn to be honest. You’ll be glad some day!”
XVI
DICKY FEELS A SLUMP
IT was nearly a week afterward when Pidge heard sounds, not of meeting
only, but of mauling, from over the partitions of Richard Cobden’s
office at _The Public Square_. Her desk was now in John Higgins’ room.
The racket was “young”--something of the sort you expect in a college
fraternity house, rather than in the editorial rooms of a magazine of
dignified social protest and short story ideals. John Higgins winced
and glared. Now the stranger’s voice was upraised:
“You’re not seedy, Dick--you’re decayed! If Africa treats a man like
that, I’m off the Sahara for life.”
Pidge heard this with something of the sense of personal arraignment.
The ugly part was that it was true, and it hadn’t been the truth a week
before. Dicky had been changed when he arrived, but the change since
their ride home from his mother’s apartment in Fiftieth Street was
more definitely disturbing. She found John Higgins’ eyes upon her and
started guiltily. He leaned forward to whisper:
“It’s a fact. Something’s eating our Dicky. He’s losing his bounce.”
Public-domain text, read in full here on John Shaqi.
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