... Oh, Dicky, there is no other way. I’ve tried to dodge it, but it
has to be told now, that I have taken Rufus Melton. Why did I do it?
I don’t know, unless it is that I am evil and unfinished and answer
to the evil and unfinished in him. He draws me terribly, but at the
same time, I am not deluded. There is never a moment with him that is
not unmixed with pain.... I wonder if you can believe that I did not
do this thing for happiness; that the happiest moments I have ever
known have come from my work with John Higgins and my friendship with
you? And can you ever believe that I am no farther from you now, in
that mysterious comrade way?... Oh, Life is not like books, Dicky,
not at all like what we are taught it is. I have a relation to him.
I answer some terrible drawing need--like a child crying for me.
But I have a relation to you, too, only different. You mean rest,
something done. He means the unfinished. He brings a mirror to me,
and says, “Look!” I want to scream, because the mirror brings out
all my defects. That’s what his presence means.... This is one true
thing, Dicky. The one who can rouse the most hell in your breast is
the one to whom you belong for the time. At least, that is true to
me.... Have I not been grateful for your stability? And have I not
been proud for your moving so quietly up and down the East, keeping
your surfaces clean for the world events to be pictured there without
twist or falsehood?... A strange door was opened in my being when I
was a child. In and out that door, whether I will or not, you often
come and go. “He is my friend,” I whisper, “my friend”----and repeat
it a thousand times.
XXIII
THE RED ROOM
LINE by line the thing was killing him. He got up and crossed the heavy
red carpet to the hall door and turned the key in the lock. He was
afraid some one would come in and find him. He had the strange power
of partly seeing himself, as the sullen horrors of hatred and revolt
boiled up in his breast. Vaguely, but quite well enough, he could watch
the man called Richard Cobden in the dim hotel room, the shoulders
hunched, the mouth stretched and crooked; unable to sit still, the face
wet with poisonous sweat.
The love had gone out of him, and with it, all the light he had. He
thought he had known pain and loneliness since leaving New York, but
all he had known was humming content compared to now, because there
had been a laughing idolatry for all her ways and words, a reliance
upon her that he had dared to call absolute. “Understand, understand!”
she had cried all through the letter.... Oh yes, he could understand.
She wasn’t what he had made her out to be--that was clear enough. He
had built upon something which wasn’t there. He had believed her to
be--built into himself the conviction--that she was the honestest thing
alive, and here she was----
Public-domain text, read in full here on John Shaqi.
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