There was the key to his mother’s house in Fiftieth Street--a thick
brass stubby affair that belonged to the door of a house where hardware
was well understood. This key couldn’t be thrown away. Though it was
practically unthinkable--a man might some time get home. It had been
done. There was a key to 54 Harrow Street. The woman who ran the place
had told him to keep it with him, because it was a symbol of something
which he had professed at the time to understand. Then there was a
long, old-fashioned inside door key, black and a little bent--the
meanest of all to dig into a man’s hip--this to the hall door of
certain rooms in the same Harrow Street house. Its duplicate was in
the hands of a girl he used to know. She had said she would look in
on the apartment while he was gone, but she was married now. No use
keeping it any longer.
He took it off the ring, but put it back again.
Certain things were good, but hard to get. Brandy was good. Coffee was
good, especially hot. Saddle-horse stew was good. Porkpie, pork and
beans, pork sausage and pancakes were reasonable and of good report,
but keys on key rings that gored a man while he rode or slept, and
stretched back into meanings of the Utterly Absurd that a man couldn’t
get straight in Paris, much less in this slaughterhouse of the Western
Front--keys on key rings were sheer perversities, especially when a man
wasn’t game to toss them into any one of these open sewers....
They were saying at home that his stuff was blurred and unconvincing.
Even John Higgins had been singularly silent of late. Chris Heidt, the
managing editor of his newspaper connection, had recently written:
“We miss that fine patriotic ring that we have come to expect from
our correspondent. Your stuff shows subtleties and innuendoes and the
dissatisfaction of the boys--the little things back of the lines that
make for disorganization, rather than the big doings at the front.”
It was dawning on Dicky that there were two kinds of American patriots,
soldier and civilian; and that for keenness and fire-eating zest, the
man in the zone of advance was not to be compared to the paper-fed
folk at home. In fact, there were only two ways for a writer to
please the firesides of America, as the hot flames of Hun-hatred and
world-correcting benefactions went up the chimney. One was to stay at
home and write the war as you supposed it to be, and the other was to
remember how you felt, how the war seemed to you, before you reached
France, and write it from that angle.
Public-domain text, read in full here on John Shaqi.
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