Miss Morison was living with Mrs. Frostwinch, and as Maurice walked buoyantly along, forgetting his errand and only remembering that he was to see her, he recalled how on the day when they had first met he had walked home with her from Mrs. Gore's. He recalled the pretty, willful turn of her head and the saucy side-glance of her eyes, the proud curve of her neck, the color on her cheeks delicate as the first peach-blossom in spring. That he had no right thus to be thinking of a woman perhaps added a certain piquancy to his thought; but he quieted his conscience with the reflection that he was in the path of duty, and of a duty, moreover, which was likely to prove sufficiently hard and humiliating. Miss Morison was at home, and would see Mr. Wynne. The high reception room in which he waited for her had a gloomy formality, a sort of petrified respectability, most discouraging. On the wall was a large painting, evidently a copy from some famous original, although Maurice did not know what. The picture represented a painter with a model in the dress of a nun. The artist was evidently engaged in painting a saint for some convent, a beautiful sister had been chosen as his model, and he was improving the opportunity to make love to her. Her reluctant and remorseful yielding was evident in every line of her figure as she allowed the painter to steal his arm around her waist and bend his lips toward hers. Wynne looked at the picture with vague disquiet. Here was the struggle of the natural human impulse against the constraint of ascetic vows; the irresistible yielding to nature and to the call of a passion interwoven with the very fibres of humanity. The sombre Boston parlor vanished, and he seemed to be in some old-world nunnery with the unknown lovers. He felt all their guilty bliss and their scalding remorse. He sighed so deeply that the soft laugh behind him seemed almost an echo. Turning quickly, he found Berenice watching him with a teasing smile on her lips. "I beg your pardon for startling you," she said, holding out her hand, "but you were so absorbed in Filippo and his Lucretia that you paid no attention to me." "I beg your pardon," he responded, taking her hand cordially. "I was looking at the picture and wondering what it represented." "It is that reprobate Filippo Lippi and Lucretia Buti, the nun that he ran away with. Why it pleased the fancy of my grandfather, I'm sure I can't imagine. Sit down, please. It is a long time since I have seen you, and now that Lent is coming, I suppose that you will be lost to the world altogether." He sat down facing her, but he did not answer. His voice had deserted him, and his ideas had vexatiously scattered like frightened wild geese. He looked at her, beautiful, witching, full of smiles; then without knowing exactly why he did so, he turned and looked again at the Lucretia. Berenice laughed frankly.