He flung himself down on his knees before the crucifix in a quick
reaction of mood, extending his hands and trying to pray; but he found
himself repeating over and over: "For Thine is the kingdom and the
power and the glory." He felt with the whole strength of his soul the
force of the words. This deity to whom he knelt might in a breath
change all his agony; might out of overflowing power and dominion and
splendor spill but one unnoted drop, yet flood all his tortured being
with richest happiness. The contrast between his weakness, his
helplessness, his insignificance, and the superabundant resources of
the Infinite crushed him. He was transported with aching pity for
himself and for all poor mortals. He repeated, no longer in entreaty
but with passionate reproach: "For _Thine_ is the kingdom and the power
and the glory." It seemed an insult to the clemency of Heaven to call
so piteously when it were a thing lighter than the puffing away of a
flake of swan's down for One with all power to help and to comfort. If
he were in the hands of a God to whom belonged the universe, why this
agony of doubt? Then he cried out to himself that this was the
temptation of the devil. He cast himself upon the ground, beating his
breast and moaning wildly: "Mea culpa! Mea culpa!" With quick
histrionic perception he was affected by the intensity and the
effectiveness of his penitence, and redoubled his fervor.
Then in a flash came over him the sickening realization that this
devotion was a sham; that it was hysteria, simple pretense. He ceased
to writhe on the floor. It was like coming to consciousness in a
humiliating situation. He blushed at his folly, and rose hastily from
before the crucifix.
"I have been acting private theatricals," he muttered scornfully; "and
for what audience?"
He threw himself again into his chair, burying his face in his hands.
He plunged into a reverie so deep and so self-searching that it could
have been fathomed by no plummet.
"I do not believe," he said at last aloud, raising his face as if to
address the crucifix. "I have never believed. I have simply bejuggled
myself. I have been a contemptible lie in the sight of men, not even
knowing enough to be honest to myself."
He was silent a moment, a smile of bitter contempt curling his lip.
"I have not even been a man," he added.
Then he rose with a spring to his feet, and looked about him,
stretching out his arms as if to embrace all the world.
"But now," he exclaimed with gladness bursting through every syllable,
"at last I am free!"
XXVIII
BEDECKING ORNAMENTS OF PRAISE
Love's Labor's Lost, ii. 1.
Public-domain text, read in full here on John Shaqi.
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