Apocalyptic fantasies; End of the world -- Fiction; Natural disasters -- Fiction; Science fiction
The next morning I awoke in quite another frame of mind, disposed to
idle, and let things go. After rising, dressing, washing in cold diluted
rose-water, and descending to the _salle-à-manger_, where I had laid my
morning-meal the previous evening, I promenaded an hour the only one of
these long sombrous tufted corridors in which there were not more than
two dead, though behind the doors on either hand, all of which I had
locked, I knew that they lay in plenty. When I was warmed, I again went
down, looked into my motor, got three cylinders from one of a number of
motors standing near, lit up, and drove away--to Woolwich, as I thought
at first: but instead of crossing the river by Blackfriars, I went more
eastward; and having passed from Holborn into Cheapside, which was
impassable, unless I crawled, was about to turn, when I noticed a
phonograph-shop: into this I got by a side-door, suddenly seized by
quite a curiosity to hear what I might hear. I took a good one with
microphone diaphragm, and a number of record-cylinders in a
brass-handled box, and I put them into the car, for there was still a
very strong peach-odour in this closed shop, which displeased me. I then
proceeded southward and westward through by-streets, seeking some
probable house into which to go from the rough cold winds, when I saw
the Parliament-house, and thither, turning river-ward by Westminster
Hall to Palace Yard, I went, and with my two parcels, one weighting each
arm, walked into this old place along a line of purple-dusted busts; I
deposited my boxes on a table beside a massive brass thing lying there,
which, I suppose, must be what they called the Mace; and I sat to hear.
Unfortunately, the phonograph was a clock-work one, and when I wound it,
it would not go: so that I got very angry at my absurdity in not
bringing an electric mechanism, as I could with much less trouble have
put in a chemical than cleaned the clock-work; and this thing put me
into such a rage, that I nearly tore it to pieces, and was half for
kicking it: but there was a man sitting in an old straight-backed chair
quite near me, which they called the Speaker's Chair, who was in such a
pose, that he had, every time I glanced suddenly at him, precisely the
air of bending forward with interest to watch what I was doing, a
Mohrgrabim kind of man, almost black, with Jewish nose, crinkled hair,
keffie, and flowing robe, probably, I should say, an Abyssinian Galla;
with him were only five or six people about the benches, mostly leaning
forward with rested head, so that this place had quite a void
sequestered mood. At all events, this Galla, or Bedouin, with his
grotesque interest in my doings, restrained my hands: and, finally, by
dint of peering, poking, dusting, and adjusting, in an hour's time I got
the phonograph to go very well.
Public-domain text, read in full here on John Shaqi.
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