Apocalyptic fantasies; End of the world -- Fiction; Natural disasters -- Fiction; Science fiction
immediately opposite the gate, is an oblong well, 12 ft. by 3 ft,
reproducing in little the shape of the court, its sides, which are
gold-lined, tapering downward to near the bottom of the platform, where
a conduit of 1/8 in. diameter automatically replenishes the ascertained
mean evaporation of the lake during the year, the well containing
105,360 litres when nearly full, and the lake occupying a circle round
the platform of 980 ft. diameter, with a depth of 3-1/2 ft. Round the
well run pilasters connected by silver chains with little balls, and it
communicates by a 1/8 in. conduit with a pool of wine let into the inner
court, this being fed from eight tall and narrow golden tanks, tapering
upwards, which surround it, each containing a different red wine,
sufficient on the whole to last for all purposes during my lifetime. The
ground of the outer court is also a mosaic of jet and gold: but
thenceforth the jet-squares give place throughout to squares of silver,
and the gold-squares to squares of clear amber, clear as solidified oil.
The entrance is by an Egyptian doorway 7 ft. high, with folding-doors of
gold-plated cedar, opening inwards, surrounded by a very large
projecting coping of plain silver, 3-1/2 ft. wide, severe simplicity of
line throughout enormously multiplying the effect of richness of
material. The interior resembles, I believe, rather a Homeric, than an
Assyrian or Egyptian house--except for the 'galleries,' which are purely
Babylonish and Old Hebrew. The inner court, with its wine-pool and
tanks, is a small oblong of 8 ft. by 9 ft., upon which open four
silver-latticed window-oblongs in the same proportion, and two doors,
before and behind, oblongs in the same proportion. Round this run the
eight walls of the house proper, the inner 10 ft. from the outer, each
parallel two forming a single long corridor-like chamber, except the
front (east) two, which are divided into three apartments; in each side
of the house are six panels of massive plain silver, half-an-inch
thinner in their central space, where are affixed paintings, 22 or else
21 taken at the burning of Paris from a place called 'The Louvre,' and 2
or else 3 from a place in England: so that the panels have the look of
frames, and are surrounded by oval garlands of the palest amethyst,
topaz, sapphire, and turquoise which I could find, each garland being of
only one kind of stone, a mere oval ring two feet wide at the sides and
narrowing to an inch at the top and bottom, without designs. The
galleries are five separate recesses in the outer walls under the roofs,
two in the east façade, and one in the north, south, and west, hung with
pavilions of purple, blue, rose and white silk on rings and rods of
gold, with gold pilasters and banisters, each entered by four steps from
the roof, to which lead, north and south, two spiral stairs of cedar. On
the east roof stands the kiosk, under which is the little lunar
Public-domain text, read in full here on John Shaqi.
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