Apocalyptic fantasies; End of the world -- Fiction; Natural disasters -- Fiction; Science fiction
There she stood, whimpering like an abandoned dog after me. I turned the
boat, rowed, came to the first steps, landed, and struck her two
stinging slaps, one on each cheek. While she cowered, surprised no
doubt, I took her by the hand, led her back to the boat, landed on the
Stamboul side, and set off, still leading her, my object being to find
some sort of possible edifice near by, not hopelessly burned, in which
to leave her: for in all Galata there was plainly none, and Pera, I
thought, was too far to walk to. But it would have been better if I had
gone to Pera, for we had to walk quite three miles from Seraglio Point
all along the city battlements to the Seven-towers, she picking her
bare-footed way after me through the great Sahara of charred stuff, and
night now well arrived, and the moon a-drift in the heaven, making the
desolate lonesomeness of the ruins tenfold desolate, so that my heart
smote me then with bitterness and remorse, and I had a vision of myself
that night which I will not put down on paper. At last, however, pretty
late in the evening, I spied a large mansion with green lattice-work
façade, and shaknisier, and terrace-roof, which had been hidden from me
by the arcades of a bazaar, a vast open space at about the centre of
Stamboul, one of the largest of the bazaars, I should think, in the
middle of which stood the mansion, probably the home of pasha or vizier:
for it had a very distinguished look in that place. It seemed very
little hurt, though the vegetation that had apparently choked the great
open space was singed to a black fluff, among which lay thousands of
calcined bones of man, horse, ass, and camel, for all was distinct in
the bright, yet so pensive and forlorn, moonlight, which was that
Eastern moonlight of pure astral mystery which illumines Persepolis, and
Babylon, and ruined cities of the old Anakim.
The house, I knew, would contain divans, _yatags_, cushions, foods,
wines, sherbets, henna, saffron, mastic, raki, haschish, costumes, and a
hundred luxuries still good. There was an outer wall, but the foliage
over it had been singed away, and the gate all charred. It gave way at a
push from my palm. The girl was close behind me. I next threw open a
little green lattice-door in the façade under the shaknisier, and
entered. Here it was dark, and the moment that she, too, was within, I
slipped out quickly, slammed the door in her face, and hooked it upon
her by a little hook over the latch.
I now walked some yards beyond the court, then stopped, listening for
her expected cry: but all was still: five minutes--ten--I waited: but no
sound. I then continued my morose and melancholy way, hollow with
hunger, intending to start that night for Imbros.
Public-domain text, read in full here on John Shaqi.
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