Apocalyptic fantasies; End of the world -- Fiction; Natural disasters -- Fiction; Science fiction
Four days since I saw her a third time, and then found that the
primitive instinct to represent the world in pictures has been working
in her: for she was drawing. It was down in the middle one of the three
east-and-west village streets, for thither I had strolled toward
evening, and coming out upon the street from between an old wall and a
house, saw her quite near. I pulled up short--and peered. She was lying
on her face all among grasses, a piece of yellow board before her, and
in her fingers a chalk-splinter: and very intently she drew, her
tongue-tip travelling along her short upper-lip from side to side,
regularly as a pendulum, her fez tipped far back, and the left foot
swinging upward from the knee. She had drawn her yali at the top, and
now, as I could see by peering well forward, was drawing underneath the
palace--from memory, for where she lay it is all hidden: yet the palace
it was, for there were the waving lines meant for the steps, the two
slanting pillars, the slanting battlements of the outer court, and
before the portal, with turban reaching above the roof, and my two
whisks of beard sweeping below the knees--myself.
Something spurred me, and I could not resist shouting a sudden "Hi!"
whereupon she scrambled like a spring-bok to her feet, I pointing to the
drawing, smiling.
This creature has a way of mincing her pressed lips, while she shakes
the head, intensely cooing a fond laugh: and so she did then.
"You are a clever little wretch, you know," said I, she cocking her eye,
trying to divine my meaning with vague smile.
Public-domain text, read in full here on John Shaqi.
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