Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
"Oh, bother my mother. She has gone to bed, and intends to return to
Crumel to-morrow. I suppose she thinks I'm a bad lot. I wish I had not
asked her to come up now. And I'm especially sorry that I asked her to
come to the Hall to-night. No, Eliza," this to the servant, who
entered with a hot dish, "we don't want any supper to-night. Go away
and close the door. Oh, dear me," she sprang up when the maid departed
and ruffled her red hair, while looking into the mirror, "I wish you'd
marry me to-morrow, Ferdy, and take me to Paris. I could get an
engagement there, and we could be happy."
"But my sister?" Clarice ventured to say, boldly.
"Oh, the deuce take your sister. I can't stand her. She looks upon me
as though I were dirt. You're always quoting your sister to me. I
detest her myself, and if you marry me I'll expect you to do the same.
Why should she look down on me? I'm not born a lady, I know, and I am
not such a fool as to make up a history, especially when you know all
about me. But I'm an honest woman and a clever one. Would your sister
have worked as I have done? Would she have made a name for herself, as
I have made? Would she be able to earn money--and in a perfectly
respectable way, mind you--to keep on this flat, and a motor-brougham?
Pshaw! Talk to me of something else than about that mincing, useless
sister of yours."
Clarice felt annoyed at her character being thus traduced, as she knew
that she was not useless, and neither did she mince. But she certainly
admitted that she did not approve of Zara Dumps, notwithstanding the
catalogue of qualifications for admiration that the dancer had set
forth. Zara, slim and dainty, with her graceful figure and pretty
face, looked so wonderfully fascinating, as she spoke, that had
Clarice really been Ferdy, it is probable she would have taken this
beauty into her arms. But Clarice happened to be herself, therefore
she looked disdainfully at Zara's airs and graces, and brought round
the conversation to more important matters.
"You are cross to-night, Zara."
"And you are a bear, holding me at arms' length. I never saw you so
cold before; one would think I'd lost my good looks"--she glanced into
the mirror and laughed--"no, those are all right. Cross? I am cross.
Mother has been bothering me in the brougham."
"About Osip?" Zara made a dart at Clarice, and clutched her arm. "You
know?"
"I know that the man who played the part of the Chrysalis--if it may
be called a part--is Alfred Osip, for whom the police are looking.
Your mother recognised him, when he took his mask off."
"I know," muttered Zara, moodily, "and he recognised her. That is why
he bolted in such a hurry. I expect he thought the police would arrest
him on mother's information before he could get away. I won't see him
again, I suppose."
"Do you want to?"
Public-domain text, read in full here on John Shaqi.
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